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Whilst this is a really quite good looking version of the Shakespeare tragedy, it's the overly wordy adaptation that drags it down. What director Charlton Heston and his writing team seem to failed to appreciate is that much of the original text was designed to complement the simplicity of the stage. With an whole gamut of visuals for us to enjoy, much of the original dialogue is rendered superfluous, and abridging that is the challenge that fails this production. Essentially, it picks up just after the assassination of Julius Caesar with Lepidus (Fernando Rey), Octavian (John Castle) and Marc Antony (Heston) managing an easy truce so they can deal with Pompey (Freddie Jones). Octavian is also nervous about Antony and so suggests that he marry his sister Octavia to create a stronger bond between them and also to irritate the other player in this game. Cleopatra (Hildegard Neil) has also moved on from Julius and Antony is very much in her grip. Now he has some egg shells to tread upon as she reacts to his new nuptials and he realises that maybe together than are strong enough to redraw the map of the Roman world. It doesn't really try very hard to present us with grand scale battle scenes, but instead uses some quick-cut editing to illustrate conflict interspersed with dialogue and the odd action shot. At times that's quite effective, but most of this film just looked like a vanity project for a star very much engaged with the original work but without really much idea as to how best to deliver it engagingly on the screen. His casting of Neil is a bit hit and miss, and his own tendency to lingering shots to camera rather slow this to a snails pace. Castle does well as the softly softly Octavian as does Eric Porter as Enobarbus, but otherwise this is all just a bit long and unremarkable.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
In order to buy a horse, a man wanders in the bazaars of Thessaly. His journey will take him further than he imagines, as old prophets, forgotten witches and vampire princes will find himself on his way.
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
The rebellious Thracian Spartacus, born and raised a slave, is sold to Gladiator trainer Batiatus. After weeks of being trained to kill for the arena, Spartacus turns on his owners and leads the other slaves in rebellion. As the rebels move from town to town, their numbers swell as escaped slaves join their ranks. Under the leadership of Spartacus, they make their way to southern Italy, where they will cross the sea and return to their homes.
A biblical epic from the Book of Acts and Paul's epistles covering his conversion from Saul of Tarsus to his ministry to the Gentiles.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
Helena loves the arrogant Bertram, and when she cures the King of France of his sickness, she claims Bertram as her reward. But her new husband, flying from Helena to join the wars, attaches two obstructive conditions to their marriage - conditions he is sure will never be met. Featuring Olivier-award winning actress Janie Dee as the Countess of Roussillon.
The Tudor Court is locked in a power struggle between its nobles and the Machiavellian Cardinal Wolsey, the King's first minister and the country's most conspicuous symbol of Catholic power. Wolsey's ambition knows no bounds and when his chief ally, Queen Katherine, interferes in the King's romance with Ann Bullen, he brings ruin upon himself, the Queen and centuries of English obedience to Rome.
Doctor Faustus is Christopher Marlowe's most renowned and controversial work. Famous for being the first dramatised version of the Faustus tale, the play depicts the sinister aftermath of Faustus's decision to sell his soul to the Devil's henchman in exchange for power and knowledge. In the first-ever staging of this menacing drama at the Globe Theatre, Matthew Dunster's production features Paul Hilton as the arrogant, power-hungry Faustus and Arthur Darvill as the sardonic Mephistopheles, and includes several impressive magical stunts along the way.
Mary and Joseph make the hard journey to Bethlehem for a blessed event in this retelling of the Nativity story. This meticulously researched and visually lush adaptation of the biblical tale follows the pair on their arduous path to their arrival in a small village, where they find shelter in a quiet manger and Jesus is born.