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Whilst this is a really quite good looking version of the Shakespeare tragedy, it's the overly wordy adaptation that drags it down. What director Charlton Heston and his writing team seem to failed to appreciate is that much of the original text was designed to complement the simplicity of the stage. With an whole gamut of visuals for us to enjoy, much of the original dialogue is rendered superfluous, and abridging that is the challenge that fails this production. Essentially, it picks up just after the assassination of Julius Caesar with Lepidus (Fernando Rey), Octavian (John Castle) and Marc Antony (Heston) managing an easy truce so they can deal with Pompey (Freddie Jones). Octavian is also nervous about Antony and so suggests that he marry his sister Octavia to create a stronger bond between them and also to irritate the other player in this game. Cleopatra (Hildegard Neil) has also moved on from Julius and Antony is very much in her grip. Now he has some egg shells to tread upon as she reacts to his new nuptials and he realises that maybe together than are strong enough to redraw the map of the Roman world. It doesn't really try very hard to present us with grand scale battle scenes, but instead uses some quick-cut editing to illustrate conflict interspersed with dialogue and the odd action shot. At times that's quite effective, but most of this film just looked like a vanity project for a star very much engaged with the original work but without really much idea as to how best to deliver it engagingly on the screen. His casting of Neil is a bit hit and miss, and his own tendency to lingering shots to camera rather slow this to a snails pace. Castle does well as the softly softly Octavian as does Eric Porter as Enobarbus, but otherwise this is all just a bit long and unremarkable.
The theme of Romeo and Juliet is the starting point from which the film spins a web of several stories. A love story between a boy and a girl whose families are Algerian: they are young, beautiful and they are trying to build a family and a social life in France. They love each other, and yet conflicts, family pressure and contradicting desires alternately tear them apart and unite them. The story of Romeo and Juliet, minus death.
The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love - and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.
Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.
After the death of the paranoid emperor Tiberius, Caligula, his heir, seizes power and plunges the empire into a bloody spiral of madness and depravity.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
In order to buy a horse, a man wanders in the bazaars of Thessaly. His journey will take him further than he imagines, as old prophets, forgotten witches and vampire princes will find himself on his way.
