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_**No-holds-barred send-up of Indiana Jones with Richard Chamberlain and Sharon Stone**_ In the early 1900s a beautiful blonde, Jesse Huston (Sharon Stone), hires white hunter/adventurer Allan Quartermain (Richard Chamberlain) to find her father who went missing during his expedition to find the fabled King Solomon’s Mines in southeast Africa. Herbert Lom and John Rhys-Davies are on hand as heavies. Many moons ago I saw clips of “King Solomon’s Mines” (1985) and wrote it off as a campy knockoff of “Raiders of the Lost Ark” (1981), which of course was hugely successful and inspired several immediate imitations, like “Romancing the Stone” (1984) and “Firewalker” (1986). I thankfully finally decided to give it a chance because, while it IS a knockoff of “Raiders,” it’s the best I’ve seen so far. It’s at least as entertaining as “The Mummy” (1999), albeit not a blockbuster like that film. Before you check it out, you have to be braced for a Grade B send-up with the corresponding preposterous frolics. Yes, it’s like Indiana Jones, but more over-the-top with a lower budget. If you can get on board, this is a wildly entertaining fun-adventure flick that’s colorful, cartoonish and thrilling with impressive African locations. It bends over backwards to amuse with Victoria Falls, jungle portages, market-place romps, steam-engine escapades, wild animals (lions, crocs, snakes and a colossal spider), threatening cannibals, a hideous witch-queen, deadly swamps, hellish caves and more. I should add that the spider is only a few notches above the ultra-cheese you’d see on Gilligan’s Island. On the female front, Stone is stunning before she became famous and I’m not even a fan. The creators don’t fail to display her beauty in a tasteful way as her shorts get shorter and shorter. She has magnificent legs. The film runs 1 hour, 40 minutes, and was shot in Zimbabwe. GRADE: B+
H. Rider Haggard's "She" and "King Solomon's Mines" novels have proved the inspiration for loads of action adventures over the years, but I doubt even he would appreciate this derivative effort. In a style that's more akin to "Carry on Quatermain", we meet "Jesse" (Sharon Stone) who is trying to track down her lost long father. He set off into the jungles of ancient Sheba trying to find the legendary mines full of jewels. She engages the help of the legendary hunter "Quatermain" (Richard Chamberlain) and off they set on their quest. Meantime, the megalomanic Bosch colonel "Bockner" (Herbert Lom) has engaged the services of the duplicitous "Dogati" (John Rhys-Davies) for exactly the same purpose - and so it's a race! To be fair to Chamberlain, though a hero in the style of Stewart Granger, Harrison Ford or Sir Cedric Hardwicke he isn't, he does look like he's enjoying himself here in this mess of film as he chucks his dynamite hither and tither. Lom is also hamming it up as if he were back in his full "Pink Panther" pomp, but it's Stone who really let's the side down. She just doesn't seem to enter into the spirit of this romp at all enthusiastically. She's not got the enthusiasm of a Karen Allen nor the slightly aloof dignity of a Deborah Kerr and really contributes very little. JR-D is always in hIs element with these kind of roles and takes to it like a croc to water; a considerably more animated one than the actual ones we see that mix archive ferociousness with real time valerian. It hits the ground running with loads of adventures, but the CGI is pretty obvious before a denouement that's just crying out for a song. It's entertaining, in a perverted sort of fashion, but could never be described as good.
In Midnight Madness millionaire diamond miner Michael Bream (Clive Brook) discovers that the woman he’s marrying — funfair shooting-gallery hostess Norma Forbes — is a gold digger. So Bream decides to teach her a lesson, and forces her to live with him in the remote African outback where, eventually, she realizes her true affections.
In a 'no tech' future, 12 year old Mila must disguise herself as a boy in order to exact revenge on her father’s family for enslaving her and her mother.
Intrepid teenage private eye Nancy Drew heads to Tinseltown with her father to investigate the unsolved murder of a movie star in this old-fashioned whodunit based on Carolyn Keene's popular series of books for young adults. But can the small-town girl cut through the Hollywood hype to solve the case?
Filmed on location in South Africa, a retelling of H. Rider Haggard's classic novel "King Solomon's Mines," featuring the adventurer who was the inspiration for Indiana Jones.
On guard! Zhou Fei's sword is created by the essence of his parents: the mother is the blade and the scabbard is the father. Many years ago Zhou Fei's grandfather Li Zhengwei was poisoned to save Duan Jiuniang. The forty-eight fortresses were lost during a surprise attack by the False Emperor. Zhou Fei's mother, Li Jinrong - a young girl at the time - was fierce and reckless, and her sword skills were not yet accomplished. Having lost her family and her father, she went to Liang Shao's strategist Zhou Yitang to ask for help. When Liang Shao refused and Zhou Yitang was ambivalent, Li Jinrong went north alone, determined to assassinate the false emperor.
An American-born Chinese economics professor accompanies her boyfriend to Singapore for his best friend's wedding, only to get thrust into the lives of Asia's rich and famous.
When teenager Elle's first kiss leads to a forbidden romance with the hottest boy in high school, she risks her relationship with her best friend.
A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.
The Chipmunks and the Chipettes go head to head in a hot air balloon race, and the winner gets $10,000. Unbeknownst to the participants, the "race" is actually a diamond smuggling ring!
The Harvester is a 1927 American silent comedy film directed by James Leo Meehan and starring Orville Caldwell, Natalie Kingston and Will Walling. It is an adaptation of the 1911 novel of the same name by Gene Stratton-Porter, which was later remade as a sound film in 1936.