War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
"_You think you've found the right man, but there's so much wrong with him, and then he finds there's so much wrong with you, and then it all just falls apart._" It feels like an extension of the first movie more than a prequel. I mean that as in it is very similar, contuing from where we left off and is still pretty funny. Lesson for me here is that overthinking is a bitch.
Picking up from the first outing for the ditzy "Bridget" (Renée Zellweger), she is now six weeks into her doting relationship with human rights lawyer "Mark" (Colin Firth). Thanks also to a bit of skydiving and some pigs, she is finding her broadcasting career blossoming too and with boss "Richard" (Neil Pearson) keen to build her part up, she is annoyingly partnered with smarmy old beau "Daniel" (Hugh Grant) and despatched to do a travelogue on Thailand. He's a charmer is that one, but she knows he cannot be trusted. That's successfully proven when she gets herself caught up in a drug smuggling caper and confined to a 40-to-a-cell women's prison with only one fairly hapless Foreign Office gent telling her how sticky her wicket is! Can she be rescued? Can she get back to her beloved? Of course there's not a jot of jeopardy to any of this, and in the intervening three years since the first film this character has lost much of her charm and punch. In many ways this just mirrors that story only it's not so innovative any more. There's still plenty to poke fun at amidst her sexist and accident-prone environment and Zellweger really does have the character down to an hapless T now, but I just felt I knew what was coming long before it did and the writing this time around defers all to often to the soundtrack. It's amiable enough, but a little tired and predictable.
'Bridget Jones: The Edge of Reason' is a totally pointless sequel. There isn't really anything substantial that happens in this, it basically goes in one big circle before finishing how it started; aside from one minute-long detail. Admittedly, it does manage to avoid being bad. Renée Zellweger remains a plus, as do Colin Firth and Hugh Grant. With that said, this film adds nothing new to their characters, they are just replicas of themselves from the 2001 original. The film (as before) does have a charm to it, which saves it from a lower rating... too generous?
Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Eight very different couples deal with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London.
London bookstore owner William Thacker's quiet life turns upside down when a chance encounter with famous actress Anna Scott sparks an unlikely romance challenged by their vastly different worlds.
In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
Kenny is obsessed with vampires, so much so that he joins the ranks of the 'Vampire Knights' a fan club for a late-night TV program hosted by Sir Peterson and proudly shells out for a 'Vampire Knights' medallion. Kenny takes this all so seriously much to the amusement of his flatmates Bobbie and Tom who he constantly tries to enlist. But Kenny's obsession may just have it's uses;'while at a party three strangers appear, Tasar, Zane and Ellissa, drawn to the 'Vampire Knights' medallion, the girls follow the boys home for a private party of their own.