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Road Wars - (Jan 15th)
The Curse of Oak Island - (Jan 15th)
Unmasked - (Jan 15th)
Hard Knocks - (Jan 15th)
Betting on Paradise - (Jan 15th)
Exposed- Naked Crimes - (Jan 15th)
Fixer to Fabulous - (Jan 15th)
Moonshiners - (Jan 15th)
Road Rage - (Jan 15th)
The Last Word with Lawrence ODonnell - (Jan 15th)
Someday at a Place in the Sun - (Jan 15th)
WWE NXT - (Jan 15th)
Alex Wagner Tonight - (Jan 15th)
Eat Smart- Secrets of the Glucose Goddess - (Jan 15th)
GRAND SUMO Highlights - (Jan 15th)
NINJA TRUTH - (Jan 15th)
The Martin Lewis Money Show - (Jan 15th)
The Irrational - (Jan 15th)
Wildcard Kitchen - (Jan 15th)
7 Little Johnstons - (Jan 15th)
How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
With a sense of humour, this documentary questions the condition of women from the angle of the image and perception of their body, and covers the new taboos and aesthetic diktats concerning their genitals in the era of the sexual revolution and contemporary feminism.
Legends of the Knight weaves together the stirring true stories of individuals who have overcome devastating obstacles, unselfishly given to the community, and embraced their inner superhero because of their love of Batman. Through the deeply personal tales of Batman fans, writers, and filmmakers, this feature-length documentary explores the power of heroic stories and encourages viewers to find their own unique path to heroism. Funded by over 1,100 people from around the world, Legends of the Knight is a return to our childhood dreams of being a hero. Put on your cape, and be inspired!
A look back at the girl-group craze of the 60's through archival footage and interviews with those involved.
Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
Following the artist from the bustling streets of New York to her rain-soaked hometown of Bergen, the film includes interviews with AURORA's closest friends, as well as uniquely stripped-back performances of tracks including “Warrior” and “Murder Song (5, 4, 3, 2, 1).” Whether she’s reminiscing on her childhood with her sisters, dancing through the city streets in her headphones, or discussing the secret life of apples, there’s a spellbinding quality to everything the artist does.
Plastic Galaxy explores the ground breaking and breathtaking world of 'Star Wars' toys. Through interviews with former Kenner employees, experts, authors, and collectors, the documentary looks at the toys' history, influence, and the passions they elicit today.
The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.
In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.