Robert A.F. Thurman on Tibet

The documentary marks the directorial debut of Chinese actor Zhang Zhehan, it documents his deeply personal journey of self-healing in the aftermath of a devastating cyber media storm in August 2021 that abruptly halted his acting career.

A portrait of His Holiness, the 14th Dalai Lama, which includes historical footage of China's repression of Tibetan Buddhism in 1959.

Six blind Tibetan teenagers climb the Lhakpa-Ri peak of Mount Everest, led by seven-summit blind mountain-climber Erik Weihenmayer.

An intimate portrait of the nuns of Kala Rongo, a rare and exceptional Buddhist Monastery exclusively for women situated in Nangchen, in remote and rural northeastern Tibet. These nuns are receiving religious and educational training previously unavailable to women, and playing an unprecedented role in preserving their rich cultural heritage even as they slowly reshape it. They graciously allow the camera a never-before-seen glimpse into their vibrant spiritual community and insight into their extraordinary lives. Some shy, some outspoken, all are committed to the often difficult life they have chosen, away from the yak farms and herding families of their birth. It is the story of their spiritual community, one that couldn't have existed 20 years ago but is thriving today.

Deconstructing The Beatles' Magical Mystery Tour explores the music written for the Magical Mystery Tour TV show, as well as the additional songs that appeared on the 1967 LP. In 1967, The Beatles embarked on an ambitious project, writing and directing a one-hour film, Magical Mystery Tour. The music written for the film is some of The Beatles' psychedelic best. In Deconstructing The Beatles' Magical Mystery Tour, Mr. Freiman delves into the creative process behind “The Fool On The Hill,” “Blue Jay Way,” “I Am The Walrus,” and other selections from Magical Mystery Tour. Scott will also “deconstruct” other songs from the Magical Mystery Tour album, including “Strawberry Fields Forever,” “Penny Lane,” and “All You Need Is Love.”

Each year, groups of Tibetan children secretly flee their homeland over the Himalayas to reach schools in India founded by the government in exile. Entrusted to smugglers, they are risking their lives by illegally crossing the great Himalayan range, a towering rampart between Tibet and India. The director will take us in the Mussorie school, in North India, where two thousand four hundred children have been rescued. They have left behind their family childhood and are now considered as orphans. We will discover the itineraries of Sonam, aged nine, and Dholma, the little new girl of the school. Here in India, they are taught about Tibetan culture and will find out about the history of their country and their ancestors. Sonam and Dholma's story is that of thousands of Tibetan children. Are they orphans of a lost country or bearers of hope who will save an endangered culture?

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.

Vajra Sky is a cinematic pilgrimage to central Tibet, bearing witness to the indomitable faith of its Buddhist community and the imminent threat to its very survival. This poignant journey bears witness to the indomitable faith of its endangered Buddhist community and the imminent threat to its very survival. The vastness of the Tibetan sky, reflecting snowy mountains, rushing rivers, and turquoise lakes, leads the journey west. Tibetans respond to the denial of the human right to practice one's religion without interference with a defiant devotion.

A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.