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Who was murdered? He was! D.O.A. is directed by Annabel Jankel and Rocky Morton and adapted to screenplay by Charles Edward Pogue from a story by Russell Rouse and Clarence Greene. It stars Dennis Quaid, Meg Ryan, Daniel Stern, Charlotte Rampling, Jane Kaczmarek and Christopher Neame. Music is by Chaz Jankel and cinematography by Yuri Neyman. A loose remake of the 1950 film noir of the same name, the story finds Professor Dexter Cornell (Quaid) staggering into a police station proclaiming that he is dying because someone has poisoned him. Told in flashback by Cornell, we see the events that led up to the point he was poisoned, but not who did it, and then track the frantic Professor as he tries to solve the who done it mystery before he keels over and dies. Not as bad as the poor box office returns suggest it is, D.O.A. is still very much a frustratingly shaky experience. Lifting only the basic idea of the 1950 movie, the makers stamp their own mark on the premise but add too many red herrings to the already fishy stew. Some plot developments are daft, as is the casting of Meg Ryan in the key femme role - seriously she is just too cookie cute and homely for this material - while the motive reveal is a bit much to swallow. Yet there's still a lot to enjoy and sample here for the neo-noir faithful. Visually the picture is stylish and appreciative to its noir roots. Opening in black and white to set the story in motion, Jankel and Morton then infuse the film with angled shots and frame distortions. Shadows often come into play, with Venetian blinds and roof rafters impacting, while the addition of a spiral staircase late in the day is most pleasing. Quaid is ever watchable in what is a tricky role that calls for him to garner sympathy whilst not being likable! While elsewhere Stern and Rampling provide good characterisations, even if as written the roles are too small given the importance the characters have to the plot shenanigans. A bit over cooked on the page, and basically a race against time thriller dressed up in neo-noir clothing, D.O.A. is still none the less worthy of a viewing. 6.5/10
The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.
On a stormy night, young Jim, who transports a luxury car from Chicago to California to deliver it to its owner, feeling tired and sleepy, picks up a mysterious hitchhiker, who has appeared out of nowhere, thinking that a good conversation will help him not to fall asleep. He will have enough time to deeply regret such an unmeditated decision.
When four bodies are discovered among the industrial decay and urban grime of New York City, brash young detective Mike Reilly teams with ambitious Department of Health researcher Terry Huston to uncover the cause behind their violent and inexplicable deaths. The only common factor shared by the victims? Each died exactly 48 hours after logging onto a website called feardotcom.
Still recovering from a heart transplant, a retired FBI profiler returns to service when his own blood analysis offers clues to the identity of a serial killer.
Ichabod Crane, a Yankee wanderer, arrives in Sleepy Hollow and becomes the new schoolmaster. He meets Katrina Van Tassel, and blissfully fantasizes about how can marry her, ultimately, inherit her father's rich estate. Her suitor Brom Bones, the blacksmith, wants to scare him away and dresses up as the legendary Headless Horseman. During the prank, the real ghost appears and drives Ichabod off
After having successfully eluded the authorities for years, Hannibal peacefully lives in Italy in disguise as an art scholar. Trouble strikes again when he's discovered leaving a deserving few dead in the process. He returns to America to make contact with now disgraced Agent Clarice Starling, who is suffering the wrath of a malicious FBI rival as well as the media.
An ordinary man makes an extraordinary discovery when a train accident leaves his fellow passengers dead — and him unscathed. The answer to this mystery could lie with the mysterious Elijah Price, a man who suffers from a disease that renders his bones as fragile as glass.
After a yachting accident, a millionaire and his wife are shipwrecked on a desert island along with their former deckhand, Manuel.
Catherine is a woman in her late twenties who is strongly devoted to her father, Robert, a brilliant and well-known mathematician whose grip on reality is beginning to slip away. As Robert descends into madness, Catherine begins to wonder if she may have inherited her father's mental illness along with his mathematical genius.
Admitted to Mt. Abaddon Hospital for a routine procedure, George Grieves discovers that his condition is much more serious and complicated than originally expected; and as his own fears begin to manifest around him, he learns that Mt. Abaddon is not a place where people come to get better... it is a place where people come to die.
After an attack leaves him in limbo - invisible to the living and also near death - a teenager discovers the only person who might be able help him is his attacker.