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**Fantastic film** _Originally posted on IMDb 21st December 2013._ This is the second time I have watched 'Satin rouge', and I thought I would write a short review. The first time I watched the film I became very intrigued about Tunisian culture; at the time I knew virtually nothing about the country. I was surprised to read about how much more liberal the country is compared to other Islamic countries in the Middle East/North Africa. For example the Government actually discourage the wearing of the hijab, and religion in general seems to be a bit more secular. The liberation of women in Islamic-dominated countries is not often seen so I enjoyed that aspect of this film in particular. The main reason why I chose to watch 'Satin rouge' initially is because of the beautiful Hiam Abbass, a seasoned actress, whom I have seen in many films now. I enjoyed the film more after watching the second time. What I love most about it is that there is nothing overly spectacular about it. The plot, the editing, the scenes. But that's what makes it so good as well, because it is simple and that adds a sense of realism. It is a lovely little depiction of Tunisian life and culture. Hiam was the perfect choice as traditional Lilia. It was amazing to see her character transform from a shy, plain widow with a bland and uninteresting life, into a more liberated, confident, expressive and beautiful woman with a new zest for life. Whilst we don't see much depth in some of the supporting characters (including Lilia's daughter), they all complement Lilia's character nicely. There are a couple of saucy scenes too! 'Satin rouge' goes against the usual grain of Islamic/Middle Eastern (or in this case, North African!) culture and society and for that, it is definitely a gem for those who appreciate Indie cinema.
Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.
Barcelona, 1980s: in a tough urban neighbourhood inhabited by survivors and ruled by ex-legionnaires Gandhi, Fontán and Andrade - who are fighting a war for control of the streets - Nen and his friends Palito, Topo and Tostao dream of making it big in the world of rumba. But Nen discovers why his father, El Guacho - of whom all Nen has left is the memory of his brilliance as a rumba singer - disappeared many years earlier. He learns how the relationship between his mother, Chata, and Ghandi, leader of the neighbourhood, was connected to his father's disappearance, and so Nen is forced to balance his own desire for vengeance with his longing to triumph.
After the failure of her marriage, Iris goes back to her hometown during the Spanish Civil War (1936-1939), where she becomes a war photographer.
Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Anna Carballo returns from the States after four years to fetch her older sister Sarah from their Baguio mansion. Anna spends the night in Manila in a hotel and accidentally meets her former fiance, Roy Valdez. That night Anna has a weird dream where Sarah brings her to their dining room and their entire deceased family greets her, “Magandang gabi sa inyong lahat!” Anna proceeds to Baguio the next day and is gradually terrified as most of the things in her dream happen in reality.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.