Laugh Proud 2024 - Movies (Jan 19th)
My Argentine Heart 2025 - Movies (Jan 19th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
The Magicians Raincoat 2024 - Movies (Jan 18th)
Vindication Swim 2024 - Movies (Jan 18th)
Every Little Thing 2024 - Movies (Jan 18th)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Boonie Bears Time Twist 2024 - Movies (Jan 17th)
Love Courage and the Battle of Bushy Run 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
When the Stars Gossip - (Jan 19th)
The Kelly Clarkson Show - (Jan 19th)
Earth Odyssey with Dylan Dreyer - (Jan 19th)
Harlem Globetrotters- Play It Forward - (Jan 19th)
Krempoli - A Place For Wild Children - (Jan 19th)
There is a Reason for Undressed Love - (Jan 19th)
Love Your Weekend with Alan Titchmarsh - (Jan 19th)
48 Hours - (Jan 19th)
Accident, Suicide or Murder - (Jan 19th)
Lakefront Luxury - (Jan 19th)
Lidias Kitchen - (Jan 19th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
This is the planet we still know so little. We call it Earth but less than 1/3 is land, over 2/3 is water and we use that water as a dumping site for our waste and as if it's an inexhaustible "horn of plenty" for humans. Our most important ecosystem is on the verge of collapse unless we act now. At this very moment the main problem with the oceans is that they're getting emptier and emptier. If we don't do anything then we face one of the biggest disasters in history of mankind.
You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.
The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.
Adela Peeva explores the national origin of a song common amongst a set of countries, and finds that the answer is not as simple as one might think.
Like many Palestinian families, the Amers live surrounded by the infamous West Bank Wall where their daily lives are dominated by electrified fences, locks and a constant swarm of armed soldiers. Through director Carolina Rivas' sensitive lens, we discover the private world of all eight members of the family. As their dramas unfold, we catch a glimpse of their constant struggles and the small, endearing details that sustain them, including olive trees, two small donkeys and their many friendships. Constructed with a combination of verité scenes and re-enactments, this poignant and richly crafted film offers its audience a much needed opportunity to reflect on the effects of racial segregation, the meaning of borders and the absurdity of war
SUGA of the world-renowned group, BTS, works on a new album. He embarks on a journey to find his story to tell through music, while interacting with artists from various cities around the world.
Renee Tajima-Peña takes to the road to investigate questions about Asian-American identity.
In this astonishing twelve-part project for and about television — the title of which refers to a 19th-century French primer Le tour de la France par deux enfants — Godard and Miéville take a detour through the everyday lives of two children in contemporary France.
The Phantom of the Operator is a poetic film collage that documents the construction and rise of female telephone operators and their eventual replacement with computerized communications systems.
They just arrived in France. They are Irish, Serbs, Brazilians Tunisians, Chinese and Senegalese ... For a year, Julie Bertuccelli filmed talks, conflicts and joys of this group of students aged 11 to 15 years, together in the same class to learn French.