La buena estrella

"Pregnant" is a window into a woman's existence as she lives her internal life ever so delicately as her external life. Becoming a mother for the second time, she prepares for the unknown.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

The film starts in the early evening of a normal day: Sophie, a 20 year old girl, is pregnant and wanders through the night to get sure about her future life. Does she want to be a mother or do an abortion? Does she love her friend or not? Who is the father of her unborn baby? Trying to figure out what to do Sophie encounters many people, and in the morning she has come to a decision. But this is not the movie's end...

Set in the future: Two men learn that a mysterious winged girl has been taken prisoner, and then decide that they must free her at any cost.

When their plane crashes, 25 schoolboys find themselves trapped on a tropical island, miles from civilization.

The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.

At Pacific Palisades High, a poor Latino falls hard for a troubled girl from the affluent neighborhood.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

In 1950s Connecticut, a housewife's life is upended by a marital crisis and mounting racial tensions in society.