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The Cathedral (Polish: Katedra) is a 2002 short animated science fiction movie by Tomasz Bagiński, based on a short story by Jacek Dukaj, winner of the Janusz A. Zajdel Award in 2000. The film was nominated in 2002 for the Academy Award for Animated Short Film for the 75th Academy Awards.
Reaper Rick's long history of military service has taught him to never trust the government, pushing him to live out his days in the country, off the grid. Other than his religious viewership of his favorite cable news network, his only other connection to the outside world is through his good buddy, "Squinty Joe." The two are constantly trying to one-up each other with conspiracy theories, bragging about who has the latest gear or best doomsday prep. In their minds, the apocalypse is right around the corner...
When a doctor is stranded on a deserted island, he has to make grisly choices to survive.
This short celebrating 75 years of Batman from artist Darwyn Cooke returns fans to the world of Batman Beyond as Terry McGinnis' futuristic Dark Knight faces his most formidable foe of all - himself.
An obedient artificial intelligence assistant is trying to complete a painting so that she can help her master. But this painting annoys her arrogant master...
SPACEMAN uses mime, stop motion, classic animation, and theatrical elements, to explore one artist's loss of creative passion, and his journey to get it back again.
Nina Moyse decides to completely exclude herself from society. However, everything changes when she discovers that she feels a desire for some form of human interaction.
Two elderly women rent a room in their home to a tenant who they suspect is a supernatural creature; this marks the begging of a series of tasks they must do in order to protect themselves from this vampire.
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?
