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"Calum" (Paul Mescal) and his daughter "Sophie" (Frankie Corio) head off for a holiday in Turkey. Initially their experience reminded me of "Carry on Abroad" (1972) with the usual building works and booking errors, but soon they settle into a comfortable poolside routine and we begin to learn a little about the dynamic between father and daughter. The occasional conversation with their absent mother tells us the parents are no longer together and a series of ongoing vacation activities paired with brief flashbacks from the adult "Sophie" help us to follow the young girl's attempts to get to know her father better - and he, her - as they relax in the sunshine. This features a strong and confident performance from the young Corio and there is an engaging familial dynamic here between the two. His character is protective but indulgent, her's independent and curious - and auteur Charlotte Wells allows their characterisations to develop for us in a well paced, considered fashion. Nothing really happens here - and yet so much does with their relationship and their respective maturity. It has a realism to it - there are no "jump" moments as such, it's about evolution and both have plenty of scope for that. I am not sure it really needs to be seen at a cinema, but it is certainly worth watching when it hits the smaller screen.
I was pulled into watching this movie by the high ratings it received rather than the plot or the performers. So I find myself in the weird position of wondering if I am a bit thick and just didn’t “get it.” For to me the movie was a mess. There were some striking scenes and fine acting, but it all seemed disjointed and confused to me. Between shaky camera syndrome and recurring flashing images that meant nothing to me, I lost the thread of the story besides the obvious, which was showing the ongoing interaction between father and daughter. Several of the quiet scenes seemed to trail off and take on the appearance of a still life picture, and then suddenly we are in the next scene, Wait, what was the previous scene all about? There were a few hints alluding to the father’s melancholy state of mind and where it might have led him (since we were not told explicitly) and those scenes should have been critical ones driving the plot and the mood of the story. But they felt like they were offered just as sidebar information.
This is about an important topic in today's world - unrecognized mental health issues. First, let me say that the acting is tremendous. Paul Mescal did an awesome job of portraying the silence of depression. Even Frankie impressed me, like another Ana Paquin. This is a powerful story that clearly mirrors the unanswered questions in the life of auteur Charlotte Wells. This film has been added to my movie list "Directors About Themselves". https://letterboxd.com/sirlaffalot/list/directors-about-themselves/ I was really only not pleased with the introduction of Older Sophie's domestic life. We don't learn anything about them and it leaves a hole in the overall script.
Would almost describe it as boring except I felt very uneasy and on edge the whole time. A humanistic portrait of a father-daughter relationship that evokes the question of what is it to be a good father.
I unintentionally farted during the movie's perhaps most serious scene and started laughing because of the contrast. Then, as the character on-screen started sobbing, I started laughing harder, and I couldn't stop myself, and tears started rolling. That's a true story, and by far the best moment of the movie for me. I wanted to like this movie as my brother recommended it, but it's... Toxic. I can tell from the songs that are played throughout that someone in my age group made this. But... It's narcissism. It's like a shit teenager from when I was a teenager grew up, and never became an adult. Whoever made this is a piece of shit. That's what I'm left with. I want nothing to do with the father in this movie, I don't want to know how his broken daughter is trying to become unbroken. I don't want anything to do with anyone involved in making this movie, unless they thought they were making a scathing commentary of how narcissism becomes negative heritage for the unfortunate descendants of them.
When a talented young swimmer who is being bullied by some older boys on his team, he learns the value of sharing his experience with trusted adults and understanding his bullies to stop the difficult situation.
In a picturesque hamlet overlooking the sea near Rome, two young men divide their time between petty thefts and football matches. Their crimes have the lightheartedness and exuberance of childhood games, until an unexpected proposal marks a change in their lives, and that of the history of Italy, with the death of Pier Paolo Pasolini.
Two boys dream of escaping their island town to go on an adventure on the mainland, a son and his lover fight to escape the clutches of an overbearing father, and a priest is shocked when some local students plan to put on a homoerotic rendition of the miracle of Lazarus. Immerse yourself in Italian culture, humor and lush landscapes in these beautiful short films from Italy. The 5 short films are: Uproar [Pipinara] (2017); Tidal Time [L'ora di porto] (2018); The Mannequin [Il manichino] (2015); Lazarus Come Out [Lazzaro vieni fuori] (2015); Glue [Colla] (2016).
Pedro and Felipe are two 11-year-old boys who are very different but fall in love with each other. However, they will have to face prejudice and their own insecurities to be together.
Estranged twins Maggie and Milo coincidentally cheat death on the same day, prompting them to reunite and confront the reasons their lives went so wrong. As the twins' reunion reinvigorates them, they realize the key to fixing their lives may just lie in repairing their relationship.
A young couple, Kaia and Andrew, are renovating Kaia's secluded family estate. Their lives are violently disrupted upon the unexpected arrival of Kaia's sister, Christine, and her fiancé, Ira.
Estranged from her family, Franny returns home when an accident leaves her brother comatose. Retracing his life as an aspiring musician, she tracks down his favorite musician, James Forester. Against the backdrop of Brooklyn’s music scene, Franny and James develop an unexpected relationship and face the realities of their lives.
'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982.
Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.
Joe Lieberman is attracted to Shaleen. They begin a professional relationship, which continues even after Joe develops a romantic interest in a woman named Kate, who is married.
England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.
