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An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

A man and a woman talk on the phone and express their feelings and desires for each other for the first time. We watch as they listen to the other's admissions.

Yukari Nishihara, 25, earns her living as an art model and aspires to become an actress. One day, while she was out, she saw “a man's face about to jump off the roof of a building”, and since then she has been suffering from a peculiar constitution: she sees a suicide while on her period, faints, and develops a fever. The goddess of love does not smile on Yukari, who is unable to become a sweet girl with a nice boyfriend. The only things that can save Yukari now are her best friend Hana, who has a keen intuition, and a suppository that can break a fever in one shot. On the day of an important audition, Yukari has decided that this is her last chance. However, Yukari realizes that she has forgotten her antipyretic suppositories, and her eyes meet those of another soon-to-be suicide victim. She is in a desperate situation. What does Yukari do?

Narrator is a man in his early 30s who is cooking pasta while enjoying a seemingly normal morning. Suddenly, the phone rings: a mysterious voice is telling him things that don't make much sense. Something is not right but not wrong either, and it seems that some memory from the past might have triggered all this...

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Hebe, in her journey from childhood to adulthood, finds herself compelled to explore the boundaries of the real and the illusory through her extrasensory perceptions. Endowed with a singular gift: glimpsing the past and future as an eternal present, Hebe defies temporal convention, questioning whether her premonitions are pre-written destinies or mere whispers of chance. Inspired by true events, Hebe invites us into the fabric of time to discover whether her gift can and should be controlled or whether she should surrender and succumb to it.

Cameron and Sylvia, a young couple in their early 20s, share a touching last evening together before he departs for Paris, where he plans to pursue his dream of becoming a chef. Fast forward four years later, where present-day screens reveal Sylvia and Cameron, still moved by the memory of that unforgettable night. Despite the passage of time and their divergent paths, their connection endures, delving into themes of love, separation, and the everlasting impact of shared experiences.

This film is about a conversation between a woman and an old house.

A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.

The short film captures the memory of an apartment and its surroundings: a young adult man lives his daily life, a journalist interviews a retired novelist who grapples with the idea of the end of the world, and two young boys searching for portals. Three storylines intertwine as the film progresses.

An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.