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Is love enough to sustain a relationship? It can certainly provide a powerful bond to keep partners together, but is that sufficient to maintain that connection when other issues arise (e.g., day-to-day life challenges, disagreements and disconnects about fundamental goals and aspirations, cohabitation conflicts, a growing lack of sexual intimacy, etc.)? These matters often come to a head when certain turning points in life are reached, such as retirement, especially when each partner holds different views about what that next stage of life is supposed to be all about. These are among the challenges faced by Henri (Olivier Gourmet), a recently retired Brussels policeman, and his longtime partner, Thom (Dave Johns), a former drag queen and seller of secondhand merchandise who now spends most of his time as a househusband. Thom has been looking forward to this new phase in the couple’s lives, but Henri has been pulling away, seeking to follow a more individualized path, one that even includes encounters with other men (a practice he doesn’t try to hide, either). Needless to say, Thom is heartbroken and tries to reingratiate himself into his husband’s life but to no avail, an outcome that turns their relationship bitterly (though often hilariously) contentious. So what does the future hold for this long-term duo? It looks like divorce is certainly not out of the question. But is that what they really want? These are questions insightfully, honestly and sensitively explored in writer-director David Lambert’s fourth feature effort, a bittersweet romantic comedy-drama about what can happen when “things change.” It thoughtfully examines the soul searching and reevaluations that come with retirement, much the same way as in the Swiss comedy-drama “Golden Years” (“Die goldenen Jahre”) (2022), as well as the open hostility that can emerge between partners, as depicted in the dark comedy classic “The War of the Roses” (1989). The picture’s meticulously assembled, well-paced screenplay effectively examines all angles of this scenario through a narrative that’s touching, wickedly funny, heartbreaking and heartwarming all at the same time. This is backed by the superb performances of the film’s two leads, as well as the heart-tugging presence of an adorable police dog named Sherlock, who plays an integral role in how this story unfolds. This release is handily the best offering I screened at this year’s Reeling Film Festival (if not in all of the years I’ve been attending the event), as well as one of the best movies I’ve ever watched about relationship discord, regardless of sexual orientation. As the old song “Breaking Up Is Hard To Do” so astutely observes, the film definitely follows suit when it comes to that sentiment and does so with an eloquence and realism rarely seen on screen. Couples of all kinds faced with issues like these should give this one a look, as it will ultimately probably provide more hands-on insight into how to address their problems than any course of marriage counseling could ever do. Like the creatures cited in the film’s title, “Turtles” draws attention to the issues often encountered in these circumstances – and candidly shows that partners can’t afford to avoid confronting them by simply hiding in their shells.
Molly (35), a trans woman, takes care of her father Manuel in the house she abandoned in her adolescence. When a woman visits him unexpectedly, they are both forced to face their fears and expectations.
From the confined universe of Brooklyn's BIZARRE cabaret, we set off on a road movie across the American West. We are 7 years later. Lucas and Maurice have never seen each other again and have no contact since the tragic events of the BIZARRE cabaret in New York. Lucas now lives in Denver, Colorado. He is married to a slightly older man who is the father of a 16-year-old child. In the middle of this peaceful life, Maurice will again cross paths with Lucas. As another tragic event takes place in Denver, Maurice and Lucas will have only one solution, to flee towards San Francisco through the American West.
A music-mad 16-year-old outcast at a rugby-mad boarding school forms an unlikely friendship with his dashing new roommate.
The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, have sex, and choose.
Two pals go on a tropical vacation together in order to escape from their troubles, but the trip forces them to confront the fissures in their friendship.
Laruang Lalake is a realist film that portrays the workers within the Filipino gay film industry and their personal stories - from the naughty to the gritty, from the horny to the hopeful. The film weaves the journey of ambitious probinsyano actor Samuel, Marc the idealistic film crew member who is secretly in love with Samuel and Wilredo a filmmaker on the brink of bankruptcy. And then there is also Peejay who is determined to steal a name for himeslf. As the camera grinds between naked bodies in homerotic play, its all in a day's work for eveyone living in a society that is yet to acept the Filipino gay man.
Estranged twins Maggie and Milo coincidentally cheat death on the same day, prompting them to reunite and confront the reasons their lives went so wrong. As the twins' reunion reinvigorates them, they realize the key to fixing their lives may just lie in repairing their relationship.
Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.
