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"Cole Davis" (Channing Tatum) is the launch director at Cape Canaveral and is charged with getting the Apollo 11 mission to the moon (and back!). Thing is, with the Vietnam war in full swing the public have rather lost interest in the space race with the USSR. Presidential adviser "Moe" (Woody Harrelson) hits on the idea of bringing in marketing specialist "Kelly" (Scarlett Johansson) to spruce things up and get the public - and the US Senate - more engaged with the project before it runs out of money and impetus. She's pushy and brassy and "Cole" hates her! Thing is, though, he also starts to realise that she's not half bad at the hoodwinking game and seems to be making some headway engaging sponsors and senators alike with the aspirations of Messrs. Armstrong and Aldrin to set foot in the Sea of Tranquility. With public interest piqued, "Moe" realises that the last thing they need is a flop, so he tells "Kelly" to create a moonscape and get in her favourite director - "Lance Vespertine" (Jim Rash doing his best Stanley Tucci) to essentially make their own, terrestrial, version of the landings that can be shown to the public should the worst case scenario actually occur. With her and "Cole" becoming closer and the launch date now imminent, it's soon clear that this isn't just a contingency plan - and that might finally present the unflappable "Kelly" with a moral dilemma she can't easily shrug off. What to do? It's quite entertaining, this, with Johansson clearly enjoying herself playing a myriad of parts within her character and there's a decent spark with the better than usual Tatum as the story swipes at politics (largely thanks to a playfully devious effort from Harrelson) and advertising whilst we learn that she is not quite the woman she seems to be. At times the writing is quite funny and the whole thing offers lunar conspiracy theorists (and the disbelieving Soviets) the perfect opportunity for the mother of wet dreams. There's plenty of rocket photography and though maybe just twenty minutes too long, this is one of Apple's better and more creative efforts. You just have to love that mischievous black cat at the end!
Not for me. I found 'Fly Me to the Moon' to be a disappointment. A sure sign of that being the case is that I don't have any positives for this movie. Well, OK, Scarlett Johansson is good, but there honestly isn't any other element to this that I can say I enjoyed. Johansson's co-star Channing Tatum feels miscast, I like the guy as an actor but here I didn't feel like he fit - visually his character didn't look or sound like someone out of the 1960s, in my eyes at least. None of the support cast did anything for me either, though Woody Harrelson and Ray Romano are passable. Away from the cast, the story also didn't hold much interest for me. I feel like the moon landing bits, generally speaking, is all pretty standard and stuff we've seen before. The romance plot isn't merged in well, I didn't sense any chemistry between Johansson and Tatum. The music is also quite weak, almost TV-esque. The run time is also too long, no way this 2024 flick needed to last over two hours! If I ignore all of that, then I guess I enjoyed it...
“Fly Me to the Moon” is so generic and sanitized that it feels like a blanket, sterilized television sitcom designed to appeal to the masses in middle America. Director Greg Berlanti‘s throwback romance has its moments, but even the chemistry between the leads a few flashes of creativity can’t save the overlong, draggy film. Set against the backdrop of NASA’s historic Apollo 11 moon landing in 1969, former con artist Kelly (Scarlett Johansson) is hired by President Nixon’s clandestine staff member Moe (Woody Harrelson) to launch a marketing campaign on a mission that the White House has deemed too important to fail. Kelly has a huge job cut out for her, and her fiery personality, unconventional methods, and out-of-the-box ideas to fix the space agency’s public image wreaks havoc on the straight-laced launch director, Cole Davis (Channing Tatum). She’s in his way and is a major annoyance, but even Cole can’t deny the sparks that are flying whenever the two are in the same room. The film works as a mid-level romantic comedy with Johansson and Tatum sharing an agreeable chemistry that, while not exactly electric, at least feels organic. Their playful banter and genuine affection shines, providing some of the film’s most enjoyable moments. It’s a classic odd couple pairing that adds much-needed comedic elements. The script is messy and forgettable, with a lot of ineffective bids at humor. The most charming aspects are burdened by unnecessary subplots that detract from the main story, making the entire film feel far too long. Certain scenes drag on and on, especially when relying on clichés, predictable plot points, and tired tropes that fail to fully capitalize on the unique setting and wealth of historical context. So much more could’ve been done with this material in a much better way. Although it provides some decent lighthearted entertainment, “Fly Me to the Moon” plays it so safe that it definitely falls short of its potential. It’s overstuffed and bland to a fault, struggling so mightily to be a crowd pleaser that it squanders most of the charm and authenticity that could have made it something truly special. By: Louisa Moore / SCREEN ZEALOTS
The story of Elliot Tiber and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was. When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers thinking he could drum up some much-needed business for his parents' run-down motel. Three weeks later, half a million people are on their way to his neighbor’s farm in White Lake, New York, and Elliot finds himself swept up in a generation-defining experience that would change his life–and American culture–forever.
After a one night stand with Alex, Isabel realizes that she is pregnant and they decide to get married. However, along with the marriage comes compromise of one's own cultural traditions.
San Francisco's premiere wedding planner, Mary Fiore is rescued from an accident by the man of her dreams, pediatrician Steve Edison, only to find he is the fiancé of her latest client. As Mary continues making their wedding arrangements, she and Steve are put into a string of uncomfortable situations that force them to face their mutual attraction.
A transit worker pulls commuter Peter off railway tracks after he's mugged, but—while he's in a coma—his family mistakenly thinks she's Peter's fiancée, and she doesn't correct them. Things get more complicated when she falls for his brother, who's not quite sure that she's who she claims to be.
Henry is a player skilled at seducing women. But when this veterinarian meets Lucy, a girl with a quirky problem when it comes to total recall, he realizes it's possible to fall in love all over again…and again, and again. That's because the delightful Lucy has no short-term memory, so Henry must woo her day after day until he finally sweeps her off her feet.
Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.
Dan Foreman is a seasoned advertisement sales executive at a high-ranking publication when a corporate takeover results in him being placed under naive supervisor Carter Duryea, who is half his age. Matters are made worse when Dan's new supervisor becomes romantically involved with his daughter an 18 year-old college student Alex.
Brett and Jake meet in a bar and decide to drown their sorrows in whiskey, forgetting the past, ignoring the future, and exploring life, love, and tragedy together for one fateful night.
“All in good time. I promise he will come to you.” This is something Anthony has been told by his mom. Little did he know that quote would follow him throughout his romantic endeavors. After a few years, being in his late 20s without experience building relationships, Anthony finds himself in a vicious cycle of heartbreak as he continues searching for true love. Anthony’s best friend Chloe sets him up with Justin, who wants a short-term, exclusive commitment. Chloe discovers that Anthony had sex with her boyfriend, Lucas. As tensions rise, Anthony relies on Justin for relief and comfort. Anthony takes responsibility for his actions and reaches out to the person who was there from the beginning—his mom, to fix the relationship that matters most.
At a 1962 College, Dean Vernon Wormer is determined to expel the entire Delta Tau Chi Fraternity, but those troublemakers have other plans for him.
Dating coach Alex 'Hitch' Hitchens mentors a bumbling client, Albert, who hopes to win the heart of the glamorous Allegra Cole. While Albert makes progress, Hitch faces his own romantic setbacks when proven techniques fail to work on Sara Melas, a tabloid reporter digging for dirt on Allegra Cole's love life. When Sara discovers Hitch's connection to Albert – now Allegra's boyfriend – it threatens to destroy both relationships.