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"Cole Davis" (Channing Tatum) is the launch director at Cape Canaveral and is charged with getting the Apollo 11 mission to the moon (and back!). Thing is, with the Vietnam war in full swing the public have rather lost interest in the space race with the USSR. Presidential adviser "Moe" (Woody Harrelson) hits on the idea of bringing in marketing specialist "Kelly" (Scarlett Johansson) to spruce things up and get the public - and the US Senate - more engaged with the project before it runs out of money and impetus. She's pushy and brassy and "Cole" hates her! Thing is, though, he also starts to realise that she's not half bad at the hoodwinking game and seems to be making some headway engaging sponsors and senators alike with the aspirations of Messrs. Armstrong and Aldrin to set foot in the Sea of Tranquility. With public interest piqued, "Moe" realises that the last thing they need is a flop, so he tells "Kelly" to create a moonscape and get in her favourite director - "Lance Vespertine" (Jim Rash doing his best Stanley Tucci) to essentially make their own, terrestrial, version of the landings that can be shown to the public should the worst case scenario actually occur. With her and "Cole" becoming closer and the launch date now imminent, it's soon clear that this isn't just a contingency plan - and that might finally present the unflappable "Kelly" with a moral dilemma she can't easily shrug off. What to do? It's quite entertaining, this, with Johansson clearly enjoying herself playing a myriad of parts within her character and there's a decent spark with the better than usual Tatum as the story swipes at politics (largely thanks to a playfully devious effort from Harrelson) and advertising whilst we learn that she is not quite the woman she seems to be. At times the writing is quite funny and the whole thing offers lunar conspiracy theorists (and the disbelieving Soviets) the perfect opportunity for the mother of wet dreams. There's plenty of rocket photography and though maybe just twenty minutes too long, this is one of Apple's better and more creative efforts. You just have to love that mischievous black cat at the end!
Not for me. I found 'Fly Me to the Moon' to be a disappointment. A sure sign of that being the case is that I don't have any positives for this movie. Well, OK, Scarlett Johansson is good, but there honestly isn't any other element to this that I can say I enjoyed. Johansson's co-star Channing Tatum feels miscast, I like the guy as an actor but here I didn't feel like he fit - visually his character didn't look or sound like someone out of the 1960s, in my eyes at least. None of the support cast did anything for me either, though Woody Harrelson and Ray Romano are passable. Away from the cast, the story also didn't hold much interest for me. I feel like the moon landing bits, generally speaking, is all pretty standard and stuff we've seen before. The romance plot isn't merged in well, I didn't sense any chemistry between Johansson and Tatum. The music is also quite weak, almost TV-esque. The run time is also too long, no way this 2024 flick needed to last over two hours! If I ignore all of that, then I guess I enjoyed it...
“Fly Me to the Moon” is so generic and sanitized that it feels like a blanket, sterilized television sitcom designed to appeal to the masses in middle America. Director Greg Berlanti‘s throwback romance has its moments, but even the chemistry between the leads a few flashes of creativity can’t save the overlong, draggy film. Set against the backdrop of NASA’s historic Apollo 11 moon landing in 1969, former con artist Kelly (Scarlett Johansson) is hired by President Nixon’s clandestine staff member Moe (Woody Harrelson) to launch a marketing campaign on a mission that the White House has deemed too important to fail. Kelly has a huge job cut out for her, and her fiery personality, unconventional methods, and out-of-the-box ideas to fix the space agency’s public image wreaks havoc on the straight-laced launch director, Cole Davis (Channing Tatum). She’s in his way and is a major annoyance, but even Cole can’t deny the sparks that are flying whenever the two are in the same room. The film works as a mid-level romantic comedy with Johansson and Tatum sharing an agreeable chemistry that, while not exactly electric, at least feels organic. Their playful banter and genuine affection shines, providing some of the film’s most enjoyable moments. It’s a classic odd couple pairing that adds much-needed comedic elements. The script is messy and forgettable, with a lot of ineffective bids at humor. The most charming aspects are burdened by unnecessary subplots that detract from the main story, making the entire film feel far too long. Certain scenes drag on and on, especially when relying on clichés, predictable plot points, and tired tropes that fail to fully capitalize on the unique setting and wealth of historical context. So much more could’ve been done with this material in a much better way. Although it provides some decent lighthearted entertainment, “Fly Me to the Moon” plays it so safe that it definitely falls short of its potential. It’s overstuffed and bland to a fault, struggling so mightily to be a crowd pleaser that it squanders most of the charm and authenticity that could have made it something truly special. By: Louisa Moore / SCREEN ZEALOTS
What if Apollo 11 never actually made it? What if, in reality, Stanley Kubrick secretly shot the famous images of the moon landing in a studio, working for the US administration? This is the premise of a totally plausible conspiracy theory that takes us to swinging sixties London, where a stubborn CIA agent will never find Kubrick but is forced to team up with a lousy manager of a seedy rock band to develop the biggest con of all time.
A successful DJ named Darrel (Usher), managed to rescue a powerful mobster one night. In order to repay Darrell, the mobster, Frank Pacelli, gives him the task of protecting his daughter, Dolly (Chriqui)
Scrat tries to finish his rather large collection of acorns when things start going nutty.
A romantic comedy about a young interior decorator who, as a result of a romantic disappointment, becomes the female counterpart of Don Juan. The misadventures of the manizer make her rediscover the value of love.
When three friends finally come to after a raucous night of bachelor-party revelry, they find a baby in the closet and a tiger in the bathroom. But they can't seem to locate their best friend, Doug – who's supposed to be tying the knot. Launching a frantic search for Doug, the trio perseveres through a nasty hangover to try to make it to the church on time.
Johnny is a successful banker with great respect for and dedication to the people in his life, especially his future wife Lisa. The happy-go-lucky guy sees his world being torn apart when his friends begin to betray him one-by-one.
Maureen Trant and her younger sibling Dani share a strong connection, but local boy Court Foster threatens to throw their bond off balance. Dani and Court meet first and have a flirtatious rapport - but when he meets Maureen, he falls hard and they begin a passionate affair. The new couple try to keep their love hidden from Dani, but she soon learns the truth, disavowing her sister. But a heartbreaking accident later reunites the girls.
A wily old codger matches wits with the King of the Leprechauns and helps play matchmaker for his daughter and the strapping lad who has replaced him as caretaker.
Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.
Bumbling bank janitor Ernest P. Worrell is assigned to jury duty, and soon finds himself in trouble when he is covertly switched with a look-a-like crime boss. Ernest must escape from jail to expose the mix-up.
An ensemble comedy, where the romance is between the young people of the 60s, and pop music. It's about a band of DJs that captivate Britain, playing the music that defines a generation and standing up to a government that wanted control of popular culture via the British Broadcasting Corporation. Loosely based on the events in Britain in the 60's when the Labour government of Harold Wilson, wanted to bring the pirate radio stations under control, enough to see the passage of the Marine Broadcasting Offences Act on 15 August 1967. Also known as "Pirate Radio".