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In 1966, Senegalese author Ousmane Sembene was among the first Black Africans to shoot a feature film with La Noire de... ("Black Girl"). It deals with the plight of Diouana (Mbissine Thérèse Diop), a Senegalese girl who is hired on as a nanny by a French expat family in Dakar. Initially she is elated to have work, and moreover, work for the country's white elites. After the family returns to France and takes Diouana with her, she finds herself nearly a prisoner, as what should have been an ordinary job with some dignity to it becomes menial drudgery far beyond the initial agreement. Though the plot is a straightforward drama, Sembene also lends the film a metaphoric dimension to confront the enduring legacy of colonialism in the newly independent Senegal, the desire of some Africans for revenge against their erstwhile colonial rulers, as well as political tensions within Africa's ostensibly representative democracies. These elements are, however, so subtle that many viewers without a knowledge of the immediate post-colonial era may miss them. Yet with its 55-minute running time that awkwardly falls between a short and a typical feature, La Noire de... does feel slight. It is shot at a level of quality comparable to any French film of this era (some awkward jump cuts and bad dubbing aside), but it can be seen as a mere tech demo for the more ample, ambitious films that African directors would go on to make in subsequent years.
For Billie and Nico, life with their father is a roller-coaster ride of playfulness and unease. When he is in the grip of alcohol, tears flow and their apparently idyllic family life collapses. Their mostly absent and irresponsible mother is not much help either. But their friendship with Malik, a boy of Billie’s age, frees them from their shackles. Together they embark on a journey full of intense moments of freedom. The colourful, emotional world of the three young people is depicted in kaleidoscopic black and white imagery, which opens space for their own notions of childhood. Alexandre Rockwell's tale portrays a profound sense of solidarity and deep love: for cinema and Billie Holiday, and also for risk and adventure.
Two hoodlum brothers are brought into a hospital for gunshot wounds, and when one of them dies the other accuses their black doctor of murder.
Amy, the young, friendless daughter of Oliver and Alice Reed, befriends her father's late first wife and an aging, reclusive actress.
A Man in Our House is a 1961 Egyptian film about the resistance to British rule in Egypt which ended in the exile of King Farouk in 1954 and the rise to power of Gamal Abdel Nasser.
Khairiya is a wealthy girl engaged to her cousin Amin Al-Thara as well. Her family loses this wealth and the girl loses her fiancé, who refused to be paired with a bankrupt girl. She is shocked by charity when she finds her fiancé with another girl and another rich daughter. The family lives the life of the strugglers and the girl recognizes Fayez and is connected with him emotionally, which makes the whole family object to him to put his origin, despite his success in achieving wealth, but marry him because of the patience and ambition and already above the star of her husband and enriched return rich as she was, but her family still intervenes between them and do not agree On this marriage of the social difference between them, a sermon is being made on your brother of a charity of the sister of Fayez's sister.
A Spanish soldier falls under the spell of a fiery gypsy girl named Carmen. His obsession with her leads to his ruin.
Radha is a resolute mother, who strives hard against poverty and a lecherous money lender to feed her two sons who grew up with contrasting temperament.
Jakub takes his last bus to school in the nearby town to get the results of the secondary school leaving exam. His ultimate visit to school marks the end of one stage in his life and the beginning of another.
On the run and in search of help, two wounded gangsters find refuge in the secluded castle of a feeble man and his wife; however, under the point of a gun, nothing is what it seems.
An old and poor couple, Charles and Lucie, scrape by working as a concierge and an untalented antique dealer, respectively. But one day, their dreary daily routine is disrupted by the surprising news that they have inherited a luxurious house in the South of France.
