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Christmas comes once a year and I don’t want to spoil it. For some time now those film lovers who have a kink for film noir have debated about years – the beginning and ending of this most wonderful style of film making. Rarely is French film noir taken into consideration, daft really since some quite superb French noir can be found in the 1960s, as America tailed off towards the back end of the 50s with their fascination for noir, some French film makers picked up the torch and kept it alight. Le monte-charge (1962) (The Lift/The Hoist/The Elevator…) is a fine exponent of Frenchie noir. Directed by Marcel Bluwal and co-written by Bluwal with Frederic Dard, story pitches Robert Herbin (Robert Hossein) into a murky Hitchcockian labyrinth among the back streets of Argenteuil. Herbin has just served 7 years in prison and is in town breaking his parole requirements out of genuine necessity. Quickly becoming enamoured with Martha Dravet (Lea Massari), whom he meets in a café, Herbin is spun into a sexually tinged game of cat and mouse with the sultry siren. A she-wolf in cat-skin clothing? Pic begins in deathly silence as Herbin moves about the shadow bathed buildings and moist glistening streets, from the off you know we are in noirville. He adorns a trench coat while she is attired in a wild cat skinned coat, noir dude and femme fatale in full effect! She has a child in tow as well, who is quickly dispatched to the apartment bedroom, left to sleep as Herbin and Dravet indulge in sexual frustrations, heartache yearnings and desperations. They often leave the apartment, toing and froing between noir tinted locales, the caged elevator the slow moving MacGuffin a focal point of some considerably visual power and plot importance. Then a body turns up, or does it? It's murky out there, she's fraught, he's confused, and when another man enters the fray, it gets messy and the crafty plot begins to unravel. Leading to a finale that doesn't disappoint the noir faithful. Bluwal and his cinematographer, Andre Bac, gleefully indulge in the staples of noir, with high-angled shots and a ream of murky exterior sequences. The script is a doozy, full of sexual energy, brought to life by the excellent Hossein and Massari, while Georges Delerue's musical score is perfectly pitched amongst the tonal flows of the narrative. Crimble Eve film noir, Gallic style. Splendid. 9/10
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, California. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
Diamonds are stolen only to be sold again in the international market. James Bond infiltrates a smuggling mission to find out who's guilty. The mission takes him to Las Vegas where Bond meets his archenemy Blofeld.
Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Rio de Janeiro. Confronted with the violence that exists in the favela where he lives, Tiago sees the only way out to become a soccer player and, in this way, help his family to have a better life. Although he is the best player in his neighborhood and the chances of being discovered by a scout are good, he faces a number of problems. One of them is Tubarão, the leader of the most powerful gang in the favela, who wants Tiago to work for him as a drug dealer. To complicate matters even more, Tiago falls in love with Juliana, Tubarão's sister.
Sir Wilfred Robarts, a famed barrister is released from the hospital, where he stayed for two months following his heart attack. Returning to the practise of his lawyer skills, he takes the case of Leonard Vole, an unemployed man who is accused of murdering an elderly lady friend of his, Mrs. Emily French. While Leonard Vole claims he's innocent, although all evidence points to him as the killer, his alibi witness, his cold German wife Christine, instead of entering the court as a witness for the defense, she becomes the witness for the prosecution and strongly claims her husband is guilty of the murder.
Three convicts escape from prison on Devil's Island just before Christmas and arrive at a nearby French colonial town. They go to the store of the Ducotels, the only store that gives supplies on credit. They initially intend to take advantage of them but have a change of heart after they find the family is in financial troubles.
Lionel Twain invites the world's five greatest detectives to a 'dinner and murder'. Included are a blind butler, a deaf-mute maid, screams, spinning rooms, secret passages, false identities and more plot turns and twists than are decently allowed.
Jimmy Kilmartin's an ex-con who's trying to go straight. But he can't say no to a quick driving job because his so-called friend's life is threatened. The job is for Little Junior Brown, a violent and powerful villain. When things go wrong, Jimmy is left to do the time, and his whole life is turned upside-down, but if that wasn't enough, the cops won't leave Jimmy alone when he gets out... They want Little Junior Brown.