We Regret to Inform You

Nicole and Matt move into a new flat, but are quickly disturbed by their party going neighbours which causes them to evaluate their relationship when they notice their differences.

'Dressing Room' follows Margot, a burlesque dancer in the 1980s, struggling with the mounting pressure of being a woman performer. Due to looming realities she's facing in her personal life, as well as an unfavourable view of herself in comparison to her fellow dancer Penny, Margot worries about the future of her career. This short is where the male gaze, body image, womanhood, and the spotlight all come to a head.

A madly-in-love young couple's relationship begins to suffer when they struggle to conceive a child.

In the early 1970s, the military dictatorship in Brazil reaches its height. The Paiva family - Rubens, Eunice, and their five children - live in a beachside house in Rio, open to all their friends. One day, Rubens is taken for questioning and does not return.

A look at the experience of a crisis counselor and the shared humanity between a texter and operator.

A series of escalating incidents around the world lead to greater and greater conflict, placing the superpowers at one another's throats. Armies march, bombs rain down, soldiers storm the beaches. One family is caught up in the ever-growing conflict. Can they survive as total war is declared and nuclear weapons are unleashed?

An exposition of friendship and a feeling of belonging to a different place, yet you are in a common one. This film is about a day in the life of 3 friends.

Directed by Patrick Gramm, 'The Pigeon People' (2023) takes you deep into Arizona's underground pigeon racing scene as racing rivals prepare for and compete in the Grand Canyon Classic - a 350-mile pigeon race from Utah to Arizona that crosses over the Grand Canyon.

Teenage Babylon presents the aftermath of three teenage suicides through the medium of what purports to be 1960s vintage black and white police file footage. The film's haunting images, evoking teenage love gone wrong, are counterpointed by a series of saccharine torch songs, celebrating falling in love and the end of a masquerade. Through a kind of bathetic synthesis, the dialectic of Eros and Thanatos, love and death, is consummated in the 'morgue' of the forensic archive.

A boy must come to terms with the harsh reality of his immigrant status when his brother alarmingly doesn't come home.

“En Avant” highlights the internal struggle of a Black ballerina with self-acceptance as she faces racism in a white-dominated art form. It tells the story of one's battle with self-love through black-and-white imagery. After being cast in the lead role of a professional ballet, Ragan is pressured by the ballet’s director to lighten her skin with make-up, in order to be consistent with the white dancers on stage. She reluctantly goes along with the request, but with each performance in the lighter make-up, she feels more degraded. When a young adoring fan tells her she wants to be just like her, the dancer cannot continue to perform feeling such shame. She makes a decision to be authentic, and dance freely, in her own skin.