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Raw - (Mar 4th)
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The Rachel Maddow Show - (Mar 4th)
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90 Day- The Last Resort Between the Sheets - (Mar 4th)
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The Hunting Party - (Mar 4th)
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NCIS - (Mar 4th)
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Rachel, my torment. My blessed, blessed torment. My Cousin Rachel is directed by Henry Koster and adapted to screenplay by Nunnally Johnson from the novel of the same name written by Daphne du Maurier. It stars Richard Burton, Olivia de Havilland and Audrey Dalton. Music is by Franz Waxman and cinematography by Joseph LaShelle. In short order the plot finds Burton as Philip Ashley, a sombre English gentleman who is disturbed by news that his much admired foster father has been poisoned to death by Rachel Sangalletti (Havilland). When some time later Rachael turns up at the ancestral Ashley cliff top mansion, Philip finds himself torn between proving his hatred is warranted towards her, or from falling deeply in love with her. A splendid slice of brooding Gothicana, Koster's (skilled hands as usual) picture is firmly dealing out the cards of sinister mystery and simmering passions. A constant is the big question of if Rachael actually is a murderess, the screenplay deliberately vague as it dangles clues from either side of the fence. The setting is ripe for some psychological discord and matters of the heart, the cliff top mansion bathed in shadows, the sea below bearing witness to events with a mixture of tidal menace and serene waters. Across proceedings to further pump up the atmospherics is Waxman's sweeping musical score, and with quality acting to match the literary smarts, this is a high end technical production. The ambiguity is a little tiresome come the finale - itself weak and a disappointing resolution, but it's a film to get swept away with. For to dive right into the Ashley Mansion and be in the company of fine purveyors of their respective crafts, ensures the rewards are plenty. 7.5/10
Two great actors, a wonderful dark and Gothic setting and a strong storyline that mingles mystery, mistrust and avarice - that's what Henry Koster and Nunnally Johnson have created for us here - and it's just that little bit better than the norm. It centres on a search for revenge from Oscar nominated Richard Burton's "Philip" - a rather fickle young man who is convinced that his wealthy cousin "Ambrose" (John Sutton) was killed by his recently arrived and ostensibly scheming younger wife "Rachel" (Olivia de Havilland). Before long though, he too is captivated by the young woman and becomes her next husband - but is she all that she seems? Daphne du Maurier always could conjure up a great story, and here is no different - there is a psychology to the plot - nothing is as it seems. Just when you think Burton may be right you realise that he isn't, yet then shortly afterwards you are still unsure as to whom is pulling the strings - if, indeed, anyone is. This is a well structured, photographed and lit tale with a classy Franz Waxman score to help keep things taut and suspenseful. Well worth watching.
Richard Hanney has a rude awakening when a glamorous female spy falls into his bed - with a knife in her back. Having a bit of trouble explaining it all to Scotland Yard, he heads for the hills of Scotland to try to clear his name by locating the spy ring known as The 39 Steps.
Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.
The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.
Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in taboo trysts and a tangled love triangle.
Five different criminals face imminent death after botching a job quite badly.
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.