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The Condor. El Condor is directed by John Guillermin and written by Larry Cohen and Steve Carabatsos. It stars Jim Brown, Lee Van Cleef, Patrick O'Neal, Marianna Hill and Iron Eyes Cody. Music is by Maurice Jarre and cinematography by Henri Persin. Luke (Brown), an escaped chain-gang fugitive, and Jaroo (Cleef), a gold prospector, decide to join forces in an assault on a Mexican fort that is thought to house the gold reserves of Emperor Maximilian. Backed by a band of Apache Indians, the mission is on, but the fort is heavily armed and General Chavez (O'Neal) is a shrewd and ruthless leader of the Mexican defenders. Ebert didn't like it, it's most divisive amongst genre aficionados, while the charge of it being a mindless action film carries some substance, but oh what raucous - riotous - rambunctious fun it is! It would be folly to argue about the acting being great here, it simply isn't, with both Cleef and Brown getting by on charisma, screen presence and light airy by-play. Yet Guillerman and producer Andre De Toth knew how to make an action film, and how to make the action impact with as much force as possible. The spectacle on show here is quite something, from the Technicolor photography that brings Andalusia vividly to life, to the magnificent adobe fort - and to the incredibly large cast members indulging in brutal and bloody battles, El Condor knows exactly what it needs to do to entertain the viewers. There's also the sizzle factor, brought about by some nude scenes that ensured the picture would get the highest classification upon its original release. Yet regardless of these scenes being tame by today's standards, they surely are not in the film for gratification sake anyway, there's a simmering sexuality in the movie from the off. What with its wrought machismo and breaking down of racial boundaries, it makes up for what it lacks in subtlety with high temperature atmospherics. Anyway, in spite of what you might have heard about Hill's "full monty" scene, it is beautifully erotic and it's no stretch to believe that she could, in that moment in time, stop an army in its tracks! Attagirl. Maurice Jarre has a grand old time scoring the picture, blending stirring boom time with japery laced tinkles, it's a most appropriate musical accompaniment. So with that comes the observation that El Condor is not successful in making any deep meaningful observations on either the human condition or politico posturing. What it does do is have a bloody good time, with its bloody brutal action sequences, a body count via gun-play that would fill out a war movie and the sexually charged atmosphere, El Condor is mindless but pure unadulterated entertainment. So Amen to that! 8/10
A group of outlaws plan and execute a robbery in a small town. However, things go awry as the team attempt a getaway, when a couple of the locals attempting to follow them, are ambushed by marauding natives.
Jack London's classic adventure story about the friendship developed between a Yukon gold hunter and the mixed dog-wolf he rescues from the hands of a man who mistreats him.
Charlie's got a 'job' to do. Having just left prison he finds one of his friends has attempted a high-risk job in Torino, Italy, right under the nose of the mafia. Charlie's friend doesn't get very far, so Charlie takes over the 'job'. Using three Mini Coopers, a couple of Jaguars, and a bus, he hopes to bring Torino to a standstill, steal a fortune in gold and escape in the chaos.
An army gold shipment and its escort vanish in the Ozarks, prompting accusations of theft and desertion but frontiersman Old Shatterhand and Apache chief Winnetou help solve the mystery of the missing army gold.
"Dirty" Harry Callahan is a San Francisco Police Inspector on the trail of a group of rogue cops who have taken justice into their own hands. When shady characters are murdered one after another in grisly fashion, only Dirty Harry can stop them.
Mitch Robbins' 40th birthday begins quite well until he returns home and finds his brother Glen, the black sheep of the family, in his sofa. Nevertheless he is about to have a wonderful birthday-night with his wife when he discovers a treasure map of Curly by chance. Together with Phil and unfortunately Glen he tries to find the hidden gold of Curly's father in the desert of Arizona.
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.
Logger Jim Hadley and his lumberjack crew are looking for new forest to cut. They locate a prime prospect outside the town of Deep Wells. The residents of Deep Wells led by Laura Riley are opposed to the felling of the trees, believing that losing them would cause mudslides during the heavy rains. Conflict between the town's residents and the loggers is inevitable.
Hired by a Spanish baron, Hong Kong treasure hunter Jackie, a.k.a. "Asian Hawk" and his entourage seek WWII Nazi gold buried in the Sahara Desert.
