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Even big men cry sometimes. Great Day in the Morning is directed by Jacques Tourneur and written by Lesser Samuels. It stars Robert Stack, Virginia Mayo, Raymond Burr, Ruth Roman, Alex Nicol, Leo Gordon and Regis Toomey. Music is by Leith Stevens and cinematography by William E. Snyder. A Technicolor/Superscope production, story is set in Colorado Territory 1861, a mining town just as The Civil War is to break out. North and South divisions, lustful passions and the hunger for power and gold, all reside here... This would turn out to be the great Jacques Tourneur's last Western offering, thankfully for his fans it turned out pretty great. This is no all action piece, the action here is mainly focused on the human condition and all the shaky traits that come with such. This town is a powder-keg waiting to ignite, with Stack's (excellent) fence sitter (he's from the South but his affiliations are money based) Owen Pentecost firmly in the middle of things. Moral compasses are set at faulty, whilst loyalties and fancies of the heart bring much conflict of interest. Tourneur and his charges serve up fine production value, starting with the location filming out of Silverton. The landscape that surrounds the town is gorgeous, itself a beautiful observer of the ugliness (Roman and Mayo's sexiness exempt of course) that unfolds. Ugliness that rears its most potent head via bouts of shocking violence, the majority of which takes one by surprise (one of the film's many strengths). The clever screenplay throws in memorable sequences, such as a heated debate backed by Roman tinkling the piano with tunes befitting the discourse, while odd visuals - like the main saloon being based on a circus tent (its actual name and it ties in with Burr's character) - strike good notes. With a grumpy Stack on fine form it's dandy to find the support brings weighty worth as well. Roman and Mayo are given good female roles to play (no tokens here thanks), raising the emotional stakes as much as the temperature. To good effect Burr stomps around like a sulky bully, Nicol has a good presence, and then there's Gordon. Gordon makes his mark straight away, first section of pic you know he's the sort who wants a war before the war has started, and he nails it as a gruff hot-headed bastardo - putting one in mind of Robert Shaw later down the line. Touneur's eye for detail is backed by that of Snyder to round it off as a picture well worth tracking down. 7.5/10
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.
Oregon, 1885. A group of men leaded by tracker Old Jack is searching for fossils in a desolate valley. Snow, freeze and gunfighter Brigham will make their lives precarious.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
In order to make Tug Cardwell (William Phipps) sign over his rich gold claim to them, John Avery (Robert Shayne), Gypsy Avery (Veda Ann Borg) and Jackson (Marshall Reed) hire Bob Rankin (Douglas Fowley') to kidnap Tug's sweetheart Jane Whipple (Elaine Riley). Rankin hides Jane and then demands half the mine from the other crooks. Dave Saunders (Tim Holt) and Chito Rafferty (Richard Martin), friends of Tug's, find Jane and taker her to safety. The conspirators then shoot Rankin, capture Tug and force him to take them to his claim. Dave and Chito are close behind.
Oregon, 1851. Hermann Kermit Warm, a chemist and aspiring gold prospector, keeps a profitable secret that the Commodore wants to know, so he sends the Sisters brothers, two notorious assassins, to capture him on his way to California.
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.
A homage and parody of 1950s and 1960s Thai romantic melodramas and action films. Dum, the son of a peasant falls in love with Rumpoey, the daughter of a wealthy and respected family. The star-crossed lovers are torn apart for years, but their forbidden love survives. When tragedy strikes, Dum unleashes his rage and becomes the gun-slinging outlaw the "Black Tiger" who will stop at nothing to seek his revenge.
Explore the lure of the Old West and how it was won—and lost—through the blood, sweat and tears of many. Spanning 15 years before, during, and following the Civil War, from 1859 to 1874, embark on an emotional journey across a country at war with itself, experienced through the lens of families, friends and foes all attempting to discover what it truly means to be the United States of America.