Double Blended 2024 - Movies (Feb 2nd)
Another Cabin in the Woods Movie 2024 - Movies (Feb 2nd)
Cherry Bomb 2024 - Movies (Feb 2nd)
Flight Risk 2025 - Movies (Feb 2nd)
A Hundred Lies 2024 - Movies (Feb 2nd)
Valiant One 2025 - Movies (Feb 2nd)
Mafia Wars 2024 - Movies (Feb 2nd)
Mister Sleep 2024 - Movies (Feb 2nd)
From Embers 2024 - Movies (Feb 2nd)
An Unexpected Valentine 2025 - Movies (Feb 2nd)
Matt and Mara 2024 - Movies (Feb 2nd)
Alpacalypse 2024 - Movies (Feb 1st)
The Ultimate Stack A Poker Documentary 2024 - Movies (Feb 1st)
Baul Soul of Bengal 2024 - Movies (Feb 1st)
Blondie Glass Heart 2024 - Movies (Feb 1st)
The Paranormal UFO Connection 2024 - Movies (Feb 1st)
Kid Snow 2024 - Movies (Feb 1st)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
TMZ Live - (Feb 3rd)
The View - (Feb 3rd)
LIVE with Kelly and Mark - (Feb 3rd)
The Last Socialist Artefact - (Feb 3rd)
60 Minutes - (Feb 3rd)
Sister Wives - (Feb 3rd)
The Read - (Feb 3rd)
Delicious Miss Brown - (Feb 3rd)
Austin City Limits - (Feb 3rd)
90 Day Fiance- Before the 90 Days - (Feb 3rd)
Home Town - (Feb 3rd)
Very Scary People - (Feb 3rd)
Great Migrations- A People on the Move - (Feb 3rd)
Homestead Rescue - (Feb 3rd)
The Sunday Show with Jonathan Capehart - (Feb 3rd)
90 Day Pillow Talk Before the 90 Days - (Feb 3rd)
For the Love of DILFs - (Feb 3rd)
Snapped - (Feb 3rd)
Match of the Day 2 - (Feb 2nd)
Countryfile - (Feb 3rd)
A neat look behind the scenes of 'Turning Red', though not the most interesting. The actual film is very good, fwiw. It's more about the people who made the film as opposed to the film itself, which is all fine but I'm always more interested in the onscreen stuff and the cast. We get to see a bit of Rosalie Chiang and a bit of Sandra Oh, but that's basically it. Animated films in general always seem to not showcase 'actors in the booth', which is kinda annoying. Like here, it's cool to see Oh in the booth - needed more of that for the whole cast! Of course, logistically that might not have been possible - though for this documentary they do send a separate camera crew to (pleasantly, I'd like to add) film a crew member's family so... This also completely sidesteps the controversy of theatrical release vs. Disney+ release. As expected, no doubt, but it feels like a massive elephant - or, should I say, panda ... sorry - in the room throughout. In conclusion, this serves a purpose but it's not as interesting as it could've been - in my opinion, obvs. It does, at least, shed light on important real world topics to be fair.
This doesn't show too much of the actual production, and it's stronger for it. Instead, it paints a beautiful portrait of the crew that shaped TURNING RED into what it is, showing how their lives informed everything from the character modeling to the production design and lighting, very cool stuff!
One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.
As part of a geography course, students learn to do topographical surveys. A stroll at the Champlain lookout, in the Outaouais region, will allow them to familiarize themselves with the different methods in use from Samuel de Champlain to the present day. Finally, a visit to the Directorate of Energy, Mines and Resources Canada, in Ottawa, will introduce them to a new device capable of automatically drawing contour lines. This film describes this new technique of digital mapping and gives us an overview of the progress it brings in this field.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
Featurette documenting the making of the film "Death On The Nile".
THE CALLERS combines anonymous documentary testimony with imagined creative scenes to tell the story of those who have called the oldest queer support line in the UK, seeking guidance on everything from where to find the nearest leather club to how to come out, start a family or mend a broken heart. The film is a love letter to queer memory and possibility, LGBTQ+ community and care, and the power of collective imagination to create the lives we dream of.
John Banvard and Jerry Nadeau are military veterans who served in World War II and Vietnam, respectively. John, 100, and Jerry, 72, sat down at the veterans home where they live to reflect on nearly 25 years together.
Sylvester Stallone and John G. Avildsen narrate behind-the-scenes footage from the making of "Rocky" to mark the film's 40th anniversary.
Director Eric Smith documents the life and wild fashion sense of Miami Beach's Irene Williams.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
The roads are full of snow and the bus is late. The Principal is mad at the bus driver but he is also sick.
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.