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**It's not a bad movie, there are much worse out there, and it's good to watch as a family, but it's not as good and as fresh as its predecessor.** After the success of the initial film, it was difficult that there wasn't a follow-up that would somehow try to extract some more money for the benefit of the studios. And as is often the case, the quality of this film is not as good as the original film. In this film, Mollie and James, now married, are expecting a second child, who will be a girl, who they call Julie, and who is born by cesarean section. The film follows the beginning of the relationship between the two brothers, Julie and Mikey, with all the natural conflicts between the two. At the same time, we accompany the adult couple in the midst of a relationship crisis, caused in part by James' bad relationship with his in-laws and by the need to increase the family income, now that there are two babies at home. As in any romantic comedy, everything is bound to end well, between several twists where the comedy, by the way, is predictable and much of what we saw in the first film is recycled and returns, without the initial glow. This is not to say that the film is totally bad. In fact, it's a satisfying comedy that gives us enough to not give up our time for wasted. It's the comparison with what we saw earlier, in the original film, that knocks her down. The humor is still present, and it is not a tiresome film (the proof is in the fact that, thirty years later, it is still present on the TV channel grid, occasionally). And there's no doubt that it's an enjoyable movie to watch as a family. The cast can once again count on the pleasant and well-executed appearances of John Travolta and Kirstie Alley. They also don't seem as committed as they did in the first film, Alley in particular, but they give a pretty satisfying performance. Bruce Willis and Roseane Barr give voice to the two babies and do it in a fun and believable way. Technically, it's as bland and uninteresting as the first film: the cinematography doesn't bring anything new or particularly notable, and the sets and costumes are pretty much what we'd expect to find. The soundtrack is good enough.
A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.
A teenager lives out the hilarious and often tragic consequences of being lethally attractive, until he meets a girl with a congenital defect.
Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.
During the summer of 1999, a group of teenagers, through interconnected narratives, live through their last day of high school and prepare for the future. Holly, once the new girl in school, does whatever it takes to remain popular. Dawn, who is secretly a lesbian, battles drugs. Tori is the valedictorian of her class, but, on the eve of graduation, she decides to experiment with drugs for the first time.
Two adventurous women in love are desperate to have their own biological child. They take a chance on an experimental scientific process and make sperm from their own stem cells. Pregnant with humor and unexpected twists, their journey ultimately confirms that all life is a gift and all families are crazy.
As her marriage dissolves, a Manhattan writer takes driving lessons from a Sikh instructor with marriage troubles of his own. In each other's company they find the courage to get back on the road and the strength to take the wheel.
A woman observes another woman on a surveillance camera and describes her actions, with no other interaction between them.
When Kana, a young T'boli woman, becomes a dreamweaver, she has the chance to weave together her village's warring clans. But, will she give up true love to do so?
Six intertwined people struggle with their own sincerity, and, in so doing, unravel their secrets and the lies they live.