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Superb actioner from Sly and the gang. Gabe Walker (Sylvester Stallone) is an expert climber, but after a tragic incident leaves a girl dead, he leaves the mountains to get his head together. After his self imposed break he returns in the hope of rekindling a relationship with Jessie (Janine Turner). Whilst at the rescue centre he is called to help a group who are stranded in the mountains, he agrees to help out this one last time, unaware that the group in the mountains are heavily armed murderous thieves and they need help of another kind... Directed by Renny Harlin, this is one of those films that shows that Stallone once had box office clout as big as his bodily frame. It's a delightful no brain action film that delivers royally to those with a bent for the action genre. What really lifts Clifhanger above average is the wonderful use of suspenseful situations. The film opens with a quite breath taking sequence and then kicks on to literally have us hanging on by our fingernails. The bad guys are deliciously over the top, none more so than the bullishly nasty John Lithgow as Eric Qualen, whilst Sly gets beefcake support from the ever reliable Michael Rooker. Cinematography by Alex Thomson is gorgeous as he brings to life the Cortina d'Ampezzo area of the Dolomites in Italy. Score is by Trevor Jones, who keeps it orchestral as he lifts from his own work for Last of the Mohicans, which in turn is mixed with what sounds like the lead theme of Alan Silvestri's work on Predator. Slam bang action, tense fraught moments, and a script written with knowing tongue in cheek persuasion, Cliffhanger literally does ROCK. 7.5/10
When a rescue atop a mountain goes wrong, a girl is killed and her boyfriend "Tucker" (Michael Rooker) blames his partner "Walker" (Sylvester Stallone) for the tragedy. A year goes by and the two must reunite to find any survivors from an high altitude plane crash. What they don't know is that plane carried "Qualen" (John Lithgow) and his associates who have just carried out a daring mid-air robbery and they are now looking for their $30m in the snowy wilderness. Apprehending their would be saviours, the gang use tracking technology to hunt their missing suitcases, but of course we just know things are not going to go smoothly. This has the scenario to be exciting: the cold and rather beautiful wintry scenery sets a scene nicely but the acting is very poor. Lithgow is hopeless, no other word for it, and Stallone just goes through the motions as the tortured soul trying to reconcile with ex girlfriend "Jessie" (Janine Turner), his friend and his conscience. Rex Linn's "Travers" - a duplicitous FBI man is no better and after about half an hour you are certain just what is going to happen - it's now all about pyrotechnics, helicopters and avalanches. It was nice to see "Pa Walton" (Ralph Waite) on screen again but Craig Fairbrass? No, sorry. This is just well photographed mush up a mountain.
**Action with some humor and a dose of exaggeration.** The best thing about an action movie is that it's usually easy entertainment and doesn't make you think too much. The film that brings me here today is reasonably enjoyable for that reason, and for being honest in what it does, that is, it is not one of those films that deceives the public by saying it is one thing and being another. The film is exactly what it says it is, and delivers what it promises. The script isn't particularly smart, and the story has enough improbable points to make us really doubt it. However, it serves the purposes of the film perfectly, even having some moments of humor. The film is far from being good, but it has a cast of good actors: Sylvester Stallone is good at acting, but he was never good at playing characters, and that doesn't change in this film. Even so, he's good enough to handle the role and have the lead. John Lithgow also does a satisfying job, but the rest of the cast is average. The villains are… likable, to be honest. Technically, the film takes advantage of the generous budget for very good and well-executed action scenes, with great physical demand from the stuntmen and great commitment from the special effects, visual and sound sectors. There's an exaggeration that makes everything feel sensational, kitschy and a little silly, and the dialogues are absolute clichés, but they add fun and some more witty moments to the film. Of course, there's plenty of pyrotechnics, judging by the amount of stuff that gets blown up.
Smilla Jaspersen attempts to understand the death of a small boy who falls from the roof of her apartment building. Suspecting wrongdoing, Smilla uncovers a trail of clues leading towards a secretive corporation that has made several mysterious expeditions to Greenland.
Flying at 40,000 feet in a state-of-the art aircraft that she helped design, Kyle Pratt's 6-year-old daughter Julia vanishes without a trace. Or did she? No one on the plane believes Julia was ever onboard. And now Kyle, desperate and alone, can only count on her own wits to unravel the mystery and save her daughter.
Though she can spin wild tales of passionate romance, novelist Joan Wilder has no life of her own. Then one day adventure comes her way in the form of a mysterious package. It turns out that the parcel is the ransom she'll need to free her abducted sister, so Joan flies to South America to hand it over. But she gets on the wrong bus and winds up hopelessly stranded in the jungle.
Arthur and his two children inherit his uncle's estate: a glass house that serves as a prison to twelve ghosts. When the family, accompanied by a nanny and an attorney, enter the house they find themselves trapped inside an evil machine 'designed by the Devil and powered by the dead' to open the Eye of Hell. Aided by a ghost hunter and his rival, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.
After a tragic accident, six friends reunite for a caving expedition. Their adventure soon goes horribly wrong when a collapse traps them deep underground and they find themselves pursued by bloodthirsty creatures. As their friendships deteriorate, they find themselves in a desperate struggle to survive the creatures and each other.
Four inner-city Black women, determined to end their constant struggle, decide to live by one rule — get what you want or die trying. So the four women take back their lives and take out some banks in the process.
Thanks to his perseverance, the Italian Simone Moro has written pages in the history of mountaineering, especially winter mountaineering on peaks over 8,000 meters high. I-VIEW tells of his adventure as a helicopter pilot and his dream of bringing helicopter rescue to the Himalayas.
Chris crashes into a carload of other young people, and the group of stranded motorists is soon lost in the woods of West Virginia, where they're hunted by three cannibalistic mountain men who are grossly disfigured by generations of inbreeding.
When David, Juliet, and Alex find their new roommate dead with a large sum of money, they agree to hide the body and keep the cash. However, this newfound fortune gradually corrodes their friendship.
A race car driver tries to transport an illegal beer shipment from Texas to Atlanta in under 28 hours, picking up a reluctant bride-to-be on the way.
When Doug's father, an Air Force Pilot, is shot down by MiGs belonging to a radical Middle Eastern state, no one seems able to get him out. Doug finds Chappy, an Air Force Colonel who is intrigued by the idea of sending in two fighters piloted by himself and Doug to rescue Doug's father after bombing the MiG base.