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Good watch, would watch again, and can recommend. This was a hit movie at the time, and other than the Xenos design, I'd say it is still a pretty good movie. The "anti-Jaws" approach of showing the monster off is really cool as the premise is largely how detailed and dangerous the xenos is, but the approach removes a lot of the suspense in the hunting and subterfuge, almost humanizing her as "hunted by the evil government entity". While it would be a much different, and arguably better, movie to do something more like "The Thing", that she only has one human mask sorts of outs her, making it more like a spy movie, and I think they did really well with that in mind. It just lacks the level of nuance and hidden information that spy and thriller movies tend to have. It's much closer to "Aliens" than "Alien".
_**Wiping out the "galactic weed**_" Released in 1995, "Species" chronicles events after SETI (Search for Extra Terrestrial Intelligence) receives a transmission from outer space detailing alien DNA structure, along with instructions on how to splice it with human DNA. This gives birth to Sil, a girl (Michele Williams) who escapes and rapidly grows into a statuesque blonde (Natasha Henstridge). Government agent Xavier Fitch (Ben Kingsley) assembles a team to locate and destroy Sil before she finds a mate and breeds. The team includes a tough mercenary (Michael Madsen), an anthropologist (Alfred Molina), a molecular biologist (Marg Helgenberger) and an empath (Forest Whitaker). I developed a bad attitude toward "Species" for years due to Roger Ebert's scathing review, but changed my mind upon giving it an openminded viewing. This is a top-of-the-line sci-fi/adventure/horror flick. People look down on it because of the nudity and mild sex scenes, which prompts them to disdain it as exploitive and trashy. While Natasha Henstridge is a good-lookin' woman, she doesn't do anything for me (she's not my type) so I was able to totally overlook this element and focus on the film's other attributes. For one, the score by Christopher Young is excellent. Secondly, the A-list cast is a highlight and their characters are increasingly fleshed-out in the story. Lastly, while people understandably write-off the movie as a Grade B plot with Grade A production, there's more here than meets the eye. For instance, Sil is the innocent pawn of the extraterrestrials who sent the DNA. Another example is the excellent character of Dan (Whitaker) whom whiners complain about as "always pointing out the obvious" when the movie shows over and over that he DOES know things the others don't and they ignore him to their own peril. Dan is necessary so that the team knows what direction the creature takes on repeated occasions; without Dan we'd see them pursue one boring dead-end after another. While snobby film critics love to hate "Species" it's a thoroughly entertaining sci-fi adventure with an interesting moral and a great cast of characters. If you like films like "Alien," "Aliens," "Terminator," "Terminator 2" and "Predator" you'll probably appreciate it. It may not be as good as "Aliens," "Terminator" and "Terminator 2," but it's on par with "Alien" (and marginally better IMHO) and superior to "Predator." Then again, it depends on what you want in a sci-fi blockbuster. As far as I'm concerned, "Species" delivers the goods. The film runs 108 minutes and was shot in the areas of Los Angeles and Brigham City, Utah. GRADE: A- ***SPOILER ALERT*** (Don't read further unless you've seen the movie) The theory is postulated by the mercenary and biologist that the alien DNA was sent as a biological weapon, a "weed killer" from outer space to wipe out the galactic weed of earth or, more accurately, the human race that inhabits it. It's a fascinating concept and the film compellingly realizes it.
Clearly, these scientists had not heeded Jeff Goldblum in "Jurassic Park" (1993) when he warned about stopping to think that just because we can do something, it doesn't mean that we should. If they had, then perhaps we could have avoided the mayhem and brutality caused when they create "Sil" (Natasha Henstridge). She is the product of alien and human DNA and can morph between a beautiful woman and a savage killer in the blink of an eye. Of course she escapes from the high security facility that couldn't keep a cow out, and is soon on the search for a man. Not any particular man, just one who can help her make a baby - and believe me, that's not a good plan! The scientists - led by "Lennox" (a rather charmless Michael Madson) and "Baker" (Marg Helgenberger) are on her trail but can they stop her before she finds a willing partner? To be fair, the visual effects - very "Terminator" (1984) style - are actually quite effective but the acting, especially from the always hammy Ben Kingsley, and the scripting are very bottom drawer. There's some imagination with the look of the film, but the delivery is pedestrian across the board before an ending that has an inevitability to it that I found a bit predictable. Not terrible, but a real missed opportunity that had it been cast better and just spent a little more time on the a more substantial story, could have created a better sense of menace and even a little (dark) humour.
In the not-too-distant future, two drifters traveling through the desert stumble across the biggest gold nugget ever found and the dream of immense wealth and greed takes hold. They hatch a plan to excavate their bounty, with one man leaving to secure the necessary tools while the other remains with the gold. The man who remains must endure harsh desert elements, ravenous wild dogs, and mysterious intruders, while battling the sinking suspicion that he has been abandoned to his fate.
A young woman held in captivity discovers the realities of truth and lies in the outside world.
A member of a gang of bank robbers is also cutting the throats of girls he has picked up in a club, so two female cops go on his trail.
Akhilan and Vimalan are the conjoined twins of genetic scientist Ramachandran, whose company makes Energion, a dietary supplement that promises to make geniuses out of children. When Russian journalist Volga tells them that there is something fishy about Energion and is mysteriously found dead, their lives are turned topsy-turvy.
The Doctor has retired to 1892 London. Despite the protests of his allies, he is determined to keep out of mankind's affairs. However, a governess named Clara has stumbled upon a plot which only the Doctor can unravel, involving the death of her predecessor in ice and the sinister Dr. Simeon, who controls monsters made of sentient snow. And there is another mystery afoot: Clara is the spitting image of Oswin Oswald, whom the Doctor saw die in the Dalek asylum...
Counter Clockwise is a sci-fi thriller/dark comedy about a scientist who accidentally invents time travel and is zapped six months into the future. He finds himself in a sinister upside down world where his wife and sister are murdered and he's the main suspect. He's forced to go back in time to uncover the mystery surrounding their deaths.
Dr. Vaseegaran creates Chitti, a powerful robot in his own image, but it is rejected by the scientific body AIRD due to its lack of human behaviour and emotions. After a lightning strike triggers emotions in Chitti, he begins to develop human-like feelings. However, Chitti falls in love with Dr. Vaseegaran's fiancée, Sana, and turns against his creator, leading to dangerous consequences.
Six-year-old Ataru steps on Elle's shadow during an impromptu game of shadow-tag; in Elle's culture, this is viewed as a marriage proposal. Eleven years later, Elle returns to Earth in order to marry Ataru — by which time not only had he forgotten the events of his childhood, but he was also going out with Lum. The rest of the plot focuses on Lum's attempts to prevent the marriage. The film was directed by Mamoru Oshii who was mad at the many requests that the producer made of him to alter the movie. Rumiko Takahashi considers this film her favorite and it is the most true to the original series.
The third film finds Ataru transformed into a pink hippopotamus, which sends Lum chasing after the wicked magician responsible, with catastrophic results. With Lum gone, her friends decide that there is no reason to remain, and so Tomobiki slowly returns to normal. The highlight of the film is a high speed chase scene with an angry Lum flying after the mysterious Ruu through the city at night and into a hall of mirrors (and illusion ). Ataru's true feelings for Lum are probably more obvious in this film than any of the others.
While performing in a student film, Ataru cuts down Tarozakura, a large, ancient cherry tree. Strange things begin to happen all across Tomobiki: a mountain appears out of nowhere, spring changes to winter, and Lum loses her powers, while those around her act as if she doesn't exist.