Sheryl

A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.

In July 2010, Laurent Fignon, the great cycling legend, commented on the Tour de France. Although the two-time tour winner of the 80s has incurable cancer, he follows as a reporter day by day the entire race. His doctor should treat him medically during the tour. After facing each other in disgust, the two men develop more understanding for each other from stage to stage. For Laurent, ending this tour means upholding life, even though broadcasting efforts are reducing the chances of a successful life-prolonging therapy.

On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.

The biography of former Beatle, John Lennon—narrated by Lennon himself—with extensive material from Yoko Ono's personal collection, previously unseen footage from Lennon's private archives, and interviews with David Bowie, his first wife Cynthia, second wife Yoko Ono and sons Julian and Sean.

The documentary consists of tape of Don's show (never been filmed before), interviews with Don's contemporaries, (Steve Lawrence, Bob Newhart, Debbie Reynolds, etc.), established comedians (Billy Crystal, Rosanna Barr, Robin Williams, Chris Rock, etc.) and young comedians (Jeff Atoll, Jimmy Kimmel, Sarah Silverman, etc.).

A portrait of Chinese writer Liu Xiaobo (1955-2017), a witness of the Tiananmen Square massacre (1989), a dissident, a woodpecker who tirelessly pecked the putrid brain of the Communist regime for decades, demanding democracy loudly and fearlessly. Silenced, arrested, convicted, imprisoned, dead. Nobel Peace Prize winner in 2010, alive forever. These are his last words.

In a career spanning more than half a century, Bernard Blier has shot more than 180 films. He alone represents a history of French cinema without having spent his time cultivating its legend. He crossed his century as an actor with the modesty of a craftsman. He believed in learning, know-how and transmission. He considered himself, like the butcher or the cabinetmaker, as a man useful to his fellow men. Bernard Blier found in Louis Jouvet, who was his teacher at the Conservatory, a master at playing, a mentor and even a spiritual father. Jouvet taught Blier the love of acting, theater and Molière. And if he knew how to take hold of Michel Audiard's best tirades like no one else, notably those of the "Tontons Flingueurs", it is to this apprenticeship that he owes it.

Story of a schoolteacher's struggle to teach violin to inner-city Harlem kids.

The documentary is a portrait of former Canadian boxing champion Gaétan Hart, profiling both the ups and downs of his career in the 1970s and 1980s and his attempt to return to the sport in a 1990 fight. The film's title was inspired by "A Piece of Steak", Jack London's 1909 short story about a retired boxer struggling with poverty.

The background and career of Tony Parker, whose determination led him to become arguably the greatest French basketball player.

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.