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In telling a story with surreal and/or other-worldly aspects, there’s a big difference between “mystical” and “mystifying,” and that’s where this second feature from writer-director Morissa Maltz misses the mark. This dreamlike road trip tale of a Native American woman (Lily Gladstone) recovering from the loss of her beloved grandmother follows her on a personal vision quest of sorts across the Midwest and Southern Great Plains. She leaves her home in Minneapolis and travels first to South Dakota to attend her cousin’s wedding and to reconnect with her family and culture, especially the impact of ancestors and spirit guides in everyday life. From there she drives to Texas to see if she can connect with the legacy of her grandmother in the state’s Big Bend region, a favored place of her late nana. In between, she encounters an array of individuals and events that strengthen (but don’t always explain) her bond to a heritage she seems to have left behind some time ago. At first glance, this narrative would seem to have the makings of an enlightening and inspiring journey of self-discovery, and that’s true to a certain extent. However, these themes are never fleshed out as fully as they could have been. While it’s understandable how such a story might have a certain intrinsic enigmatic quality about it, it’s so subdued as to essentially become cryptic, even puzzling. The narrative here is said to be based on the filmmaker’s own experiences, yet, regrettably, that may be the problem – the director is too close to the material to effectively convey what she’s trying to say to outsiders. A framework for the aforementioned themes would appear to be in place, but the handling of many sequences can be so vague that audiences may have difficulty assessing what the filmmaker is trying to convey, let alone even what’s transpiring. This is further hampered by a lack of the protagonist’s character development, which offers little in the way of back story and scant clarity on what she’s seeking to accomplish through this undertaking. Consequently, the film relies on an array of undefined reaction shots, combined with narrated anecdotes from other characters and a wealth of gorgeous landscape shots that beautifully depict the region’s wide open spaces but add little substance, suggesting that they may have been incorporated to pad an already-short 1:25:00 runtime. The overall style here is thus reminiscent of the movies of Terrence Malick and Chloé Zhao (particularly “Nomadland” (2020)), auteurs whose works are themselves often challenging to follow but are certainly a cut above what’s on offer here. Unfortunately, “The Unknown Country” represents a missed opportunity to provide valuable insight into the life of an individual and the ways of a culture that could have been uplifting for others faced with similar circumstances. Instead, though, it comes across more like a collection of disjointed images and underdeveloped story threads that had potential but that never materialized as effectively as they might have been.
On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.
Young computer enthusiast Liam runs a website streaming video of his every action captured on a webcam. He lives a reclusive life, temporarily staying in a friend’s apartment in Paris until waitress Alison and her British husband, James, move in.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.
After returning home from the Vietnam War, veteran Jacob Singer struggles to maintain his sanity. Plagued by hallucinations and flashbacks, Singer rapidly falls apart as the world and people around him morph and twist into disturbing images. His girlfriend, Jezzie, and ex-wife, Sarah, try to help, but to little avail. Even Singer's chiropractor friend, Louis, fails to reach him as he descends into madness.
As the heir and current marketing director for one of the nation's biggest gun manufacturers, Liberty Wallace is indifferent to the atrocities made possible through her business and her CEO husband, Victor. On her way to see her actor lover, Liberty ends up chained to a food cart full of explosives - all at the insistence of "Joe", a sniper whose young daughter was a victim of gun violence, and who now has Liberty in his sights.
Tells the story of Sadie and Bessie Delany, two African-American (they preferred "colored") sisters who both lived past the age of 100. They grew up on a North Carolina college campus, the daughters of the first African-American Episcopal bishop, who was born a slave, and a woman with an inter-racial background. With the support of each other and their family, they survived encounters with racism and sexism in their own different ways. Sadie quietly and sweetly broke barriers to become the first African-American home-ec teacher in New York City, while Bessie, with her own brand of outspokenness, became the second African-American dentist in New York City. At the ages of 103 and 101, they told their story to Amy Hill Hearth, a white New York Times reporter who published an article about them. The overwhelming response launched a bestselling book, a Broadway play, and this film.
A troubled psychologist is sent to investigate the crew of an isolated research station orbiting a bizarre planet.
Ray Kinsella is an Iowa farmer who hears a mysterious voice telling him to turn his cornfield into a baseball diamond. He does, but the voice's directions don't stop - even after the spirits of deceased ballplayers turn up to play.
A man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.