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And like Jericho, Walls come tumbling down. Last Man Standing is directed by Walter Hill who also adapts the screenplay from a story written by Ryûzô Kikushima and Akira Kurosawa. It stars Bruce Willis, Bruce Dern, William Sanderson, Christopher Walken, David Patrick Kelly, Karina Lombard and Ned Eisenberg. Music is by Ry Cooder and cinematography by Lloyd Ahern. Walter Hill's variant on Yojimbo, plot basically sees Willis as drifter John Smith, who after arriving in the dusty town of Jericho, promptly sets about making some serious cash by playing the town's two gangs off against each other. Smith is one tough hombre, a deadly pistoleer who has a fear of nothing, which is why the two respective gang leaders want him to work for them. Noses get put out of joint, blood flows, scores settled and a anti-hero is born, complete with permanent scowl and dry narration. The look and sound is terrific, Cooder's pessimistic twangs are all over the plot, while the visuals dovetail between sun-baked landscapes and the misty lensed ghost town of Jericho. Hill brings his trademark stylish violence into play, with slow-mos and rapid fire shoot-outs impressive, while his skill at creating an antique atmosphere is very much in evidence. Unfortunately the narrative isn't up to much, it lacks scope and characters merely exist, making this very much a style over substance exercise. It also means that much of the cast are given only morsels to feed on. A shame when you got Walken and Kelly on overdrive when on screen. It's an odd blend of a Western with Prohibition Noir characters, but it's unmistakably a Walter Hill film. For his fans there's enough to like about it whilst accepting it's a bit of a throwaway on the page. For the casual crime/action film fan, however, it's likely to be much ado about nothing. 7/10
Suleyman works at a gas station. One of his customers Kenan, who is a businessman, asks him to be his bodyguard. Suleyman is in love with Oya. Kenan wants to prevent their marriage and makes a plot with his brothel girl Cicek. Cicek has an affair with Suleyman and Kenan takes their photos. As Oya sees the photos, she leaves her job. Kenan gets her to work for his relative Leman who is a tailor. Suleyman quits his work and searches for Oya though without success. Oya gets to know about Leman and Kenan's evil plans and she gets seized on her attempt to escape. Cicek informs Suleyman about Oya's whereabouts. Everybody gets organized to save her and they succeed. Cicek shoots Leman and Kenan at the expense of her own life.
It's a deadly play for power when a Mafia chieftain's top gun goes straight and threatens to testify against the big boss and his cruel, nationwide network of crime. The picture, which was shot in a semi-documentary style, was inspired by the Kefauver investigations of 1950-51.
A man with economic problems get's involved with the mafia, but when he is asked to commit murder he refuses, which gets him in trouble with a drug lord, this brings nothing but problems to his son, who must now take control of the situation.
After a mobster agrees to cooperate with an FBI investigation in order to stay out of prison, he's relocated by the authorities to a life of suburban anonymity as part of a witness protection program. It's not long before a couple of his new neighbours figure out his true identity and come knocking to see if he'd be up for one more hit—suburban style.
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.
Angela Bennett is a freelance computer systems analyst who tracks down software viruses. At night she hooks up to the internet and chats to others 'surfing the net'. While de-bugging a new high-tech game for a cyber friend, she comes across a top secret program and becomes the target of a mysterious organization who will stop at nothing to erase her identity and her existence, in order to protect the project.
Scientist Bruce Banner scours the planet for an antidote to the unbridled force of rage within him: the Hulk. But when the military masterminds who dream of exploiting his powers force him back to civilization, he finds himself coming face to face with a new, deadly foe.
New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.
Goodnight, Charlene is a crime fiction/ thriller set in a Far West Texas border town. A local mechanic is in the fight of his life when his two-timing wife and her boyfriend hatch a plot with the town's corrupt mayor and local law to murder him for profit.
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.
When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.