Último Desejo

The history and trauma of two men, brought together by war, is exposed when a mysterious visitor treads familiar ground.

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

A person spends some time in a room

Jess confronts a piece of her past on the platform…

A girl approaches a divine entity that comes to the world in the form of a yellow umbrella, and ends up discovering her true self.

Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

After his death, a young man stuck in purgatory attempts to cope with the afterlife.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.