Once to Every Man

Caravan of Death (German: Die Todeskarawane) is a 1920 silent German film, it was an adaptation of the latter half of the Karl May novel From Baghdad to Stamboul, and is now considered to be lost. The film featured Bela Lugosi playing an Arab Sheik pitted against European travellers in an adventure story set in the Sahara. It was the second of three films released by Ustad based on desert adventure novels by Karl May. Although Karl May’s widow praised the film, critics were unimpressed and it was a commercial failure.

When doctors fail to cure the young and beautiful Claire Raven, who for inexplicable reasons seems to have fallen under a spell, Professor Mors, an expert in the field of hypnosis, is called in to help.

Thea is a sculptor who is diagnosed with tuberculosis before she marries Filippo. After abandoning him, her health begins to decline. She organizes a final party, inviting along her estranged husband. The film is considered to be lost, with only a fragment surviving in the film archive of the Cineteca Italiana.

Molly Boone's father has been sent to prison for twenty years for alleged complicity in the killing of a revenue officer, Uriah Hudson, whom she secretly suspects of having a hand in sending her father to prison, is her persistent suitor.

Mabel Mack's mother is deserted by her father and the mother dies. All that Mabel retains of her family history is a group photograph of her father, mother and herself, in a locket which she always wears.

Based on Browning's poem, a widowed Duchess raises a son that decides to abandon modern ways and act like it's the medieval days. When he wishes to marry, a young woman is found and plays along believing it's all a joke.

The TARDIS materialises not far from Paris in 1794 — one of the bloodiest years following the French Revolution of 1789. The travellers become involved with an escape chain rescuing prisoners from the guillotine and get caught up in the machinations of an English undercover spy, James Stirling — alias Lemaitre, governor of the Conciergerie prison.

Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.

Wee Lady Betty rules the O'Reilly castle with a stern hand and a big heart until she learns that Roger, the O'Reilly heir, is coming to take possession of his estate. Unable to provide for her aged father, Betty conceives of a scheme. Feigning to leave the castle, she returns after dark with her father and installs him in the haunted chamber.

Blinded in a train accident James Driscoll (Holmes Herbert), whose wife, Miriam Driscoll (Belle Bennett), has been having an affair with his young male secretary Phillip Kingston )Carroll Nye), regains his eyesight. He keeps this from his wife, who continues her affair. Finally, he invites his young niece Nancy Driscoll (Josephine Borio) in the hopes she will fall for Philip and vice-versa. His ploy works, James reveals he can see again, and husband and wife are reconciled.

Everywoman is a lost 1919 American silent film allegory film directed by George Melford based on a 1911 play Everywoman by Walter Browne.