Ain't It the Truth?

Returning to his father's cattle ranch after the excitement of serving in combat overseas, Bud McGraw becomes restless, and his father decides to send him to an old friend who commands the Border Police in Texas. On the way he meets Peggy Hughes, accompanying her Uncle Graham, a customs inspector, and he retrieves her hat from the rails of a train. At the headquarters, numerous scrapes and fights win him the admiration of, and friendship with, the men. Lazaro, a Secret Service agent, invites Mrs. Graham and Peggy, who are staying at the border station, for an automobile ride, and they are captured by bandits and held for ransom. Bud and his pals deliver the ransom and discover that Lazaro is the bandit chief. Lazaro refuses to release Peggy, but a jealous rival, Nita de Garma, causes his downfall and shoots him as the Border Police arrive to rescue the party.

Directed by Max Urban.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.

A 1920 film directed by Roy William Neill.

A 1919 film directed by Sidney Franklin.

The story of Edgar Pomeroy, the first in a series, in which the boy Edgar imagines himself the triumphant master of his fate, revenging himself on a scornful young female classmate. But then the real events are seen in contrast with the ones Edgar has created in his mind.

A Playboy inherits a Western ranch on the condition that he shall run it properly for 6 months. A villain makes an attempt to distract him from reaching the goal, but he, no longer the wastrel of yore, persists and becomes full owner of the property.

A reporter and a detective team up to solve the murder of a nightclub singer who had been involved in a divorce scandal.

Sonny Boy's parents are in the midst of a bitter divorce when the boy's mother talks her sister into kidnapping him because she is terrified that her husband will take the boy out of the country after the divorce.

When the painter Christopher Bean dies, some unscrupulous art dealers try to get several of his paintings cheaply from a family who have no idea of their value.