魔法のプリンセスミンキーモモVS魔法の天使クリィーミーマ

Oscar nominated animated short from 1973. Pulcinella dreams himself into a wild nightmare of a dream that leads us through an abstract world.

Siblings Lucy, Edmund, Susan and Peter step through a magical wardrobe and find the land of Narnia. There, they discover a charming, once peaceful kingdom that has been plunged into eternal winter by the evil White Witch, Jadis. Aided by the wise and magnificent lion, Aslan, the children lead Narnia into a spectacular, climactic battle to be free of the Witch's glacial powers forever.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

A team sent by the government is here to protect humanity from tornadoes. Bruce, Walter and Barrett are part of the Anti Tornado Squad and are ready to deal with that one-of-a-kind mission.

Two stray cats come to secretly steal milk from a pharaoh's bath, but one of them becomes hypnotized by a life of wealth.

Two soldiers fighting on opposite sides of the Vietnam War find themselves faced with a choice, somewhere between where humanity ends and war begins.

Animated interpretation of the Bizet opera, second in a trilogy.

Animated interpretation of the Bizet opera, first in a trilogy

Sink is set in Tomioka’s brightly coloured yet worn and grubby surreal world, where on this occasion we see commuter trains packed with deep sea divers reading pornography. Sealed off behind their protective shells from any real human contact, the commuters are clearly inspired by Tomioka’s experiences on Tokyo’s underground but perhaps represent everyone who shuts themselves away behind iPods, computers and books, afraid of real face-to-face human interaction.