Christmas at Plumhill Manor 2024 - Movies (Nov 17th)
Red One 2024 - Movies (Nov 17th)
End Times 2023 - Movies (Nov 17th)
Ozi Voice of the Forest 2023 - Movies (Nov 17th)
Black Bags 2023 - Movies (Nov 17th)
Jingle Bell Run 2024 - Movies (Nov 17th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Titanic The Musical 2023 - Movies (Nov 16th)
Silent Bite 2024 - Movies (Nov 16th)
Jake Paul vs. Mike Tyson 2024 - Movies (Nov 16th)
Christmas with the Singhs 2024 - Movies (Nov 16th)
Woman of the Hour 2023 - Movies (Nov 16th)
A Missed Connection 2024 - Movies (Nov 16th)
Plastic People 2024 - Movies (Nov 16th)
A Reason for the Season 2024 - Movies (Nov 16th)
Unwrapping Christmas Mias Prince 2024 - Movies (Nov 16th)
Homestead Rescue - (Nov 18th)
Dune- Prophecy - (Nov 18th)
The Great Canadian Baking Show - (Nov 18th)
The Last American Vagabond - (Nov 18th)
Bargain-Loving Brits in the Sun - (Nov 17th)
The Gone - (Nov 17th)
Highland Cops - (Nov 17th)
Wolf Hall - (Nov 17th)
Countryfile - (Nov 17th)
Sunday Brunch - (Nov 17th)
Love Your Weekend with Alan Titchmarsh - (Nov 17th)
Strictly Come Dancing- It Takes Two - (Nov 17th)
EXOs Travel the World on a Ladder - (Nov 17th)
Inside with Jen Psaki - (Nov 17th)
MotoGP Unlimited - (Nov 17th)
Girl Meets Farm - (Nov 17th)
The Great Indian Kapil Show - (Nov 17th)
Roadkill - (Nov 17th)
Inside the NFL - (Nov 17th)
A Virtuous Business - (Nov 17th)
There's a ten year age gap between the four friends who assemble here to illustrate their experience transitioning from female to male. Over the ninety minutes of this routinely produced documentary, we are given a bit of a sense of just how these people have adapted to a society that is still largely defined by male and femaleness (from birth) and it looks at a broad range of implications not just for them, but for a community as an whole that frequently confuse the nouns of masculine and feminine with those of masculinity and femininity. Attributes and the mannerisms are sometimes the cause of that confusion with one describing himself as "too manly to be a girl" but not manly enough "to be a boy" and as we get to know Nic, Raff, Leo and Andrea we see that they are all just as different as they are similar. Their attitudes and personalities, their aspirations and their desires are no more consistent than those amongst the wider population. Indeed, their frequently quite candid reflections on what makes them tick demonstrates that there is still plenty of room for personal growth and maturity, and that their expectations are more collaborative rather than ones of entitlement. That's quite refreshing, I think, as they make it clear that this isn't about them getting special treatment; it's about them integrating at their own pace, in their own way. It's message of normality - but a normality based much less on superficial judgements and more on evaluations based on who a person is, not what they are or look/dress/act like. These four are engaging, they are annoying, they are selfish, they are real... Just a microcosm of a larger humanity that probably isn't as hostile to them as they might think, but whose linguistic terminology (though not in Italian, as it happens) is largely predicated on what is male and what is female, with little reason or flexibility to these arbitrary definitions. It's not without it's flaws, and at times can come across as overly simplistic. Also, what's curious as it's an Italian documentary, is the lack of religiosity amongst a nation riddled with the stuff - but as an observation of characters just trying to be themselves, it's a remarkably honest piece of journalism.
A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?
Documentary about a group of transgender teens and young adults struggling to find the resources, safety, and confidence to express their gender identity.
The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?
After some hiking, two male members of a company remember their past erotic adventures as an ex-couple. The company decides to bring them back their lost eroticism and boldness. While the company realizes its plans it creates a context of sensuality and a symbloic fissure at a space which is agressively charged with heteronormal and nationalistic values, so that the saught eroticism can have a place to flourish.
In the midst of a pandemic scenario, the festive culture of Fortaleza faces obstacles to remain resplendent, which takes us to Praça dos Leões. How is the Lions Cultural Bar? How to deal with the absence of new memories? How to deal with silence? Saudades dos Leões is a documentary that seeks to invoke the memory of this space and rescue moments of joy and cultural relevance in the lives of its audience, mostly LGBTQI+. Furthermore, it talks about its silence and how the lack of this symbolic space weighs on people's history.
Documentary about author Christopher Isherwood, in which he is interviewed about his life and work and which features extracts from films of his novels and stories.
Standsinwater Sutherland is 2Spirit Cree living in Northern Ontario. Holding her eagle feather, she sits and tells her story: her quest to identity, how teachings learned along the way took her from the concrete jungle of Toronto back to her reservation and her commitment to help her community regain their culture and traditional ways.
Pepsi is an individual in sexual transition looking for a stable job as a caregiver. Former member of MILF, the Moro Islamic Liberation Front active in an island of southern Philippines, she escaped from her country to work as a nurse for over 10 years in Gaddafi's Libya. Because of gender discrimination, she has been forced to join the flow of refugees.
A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.
Beloved by audiences for over a decade, Here TV's original movie "Shelter" is celebrated with an in-depth discussion with stars Trevor Wright and Brad Rowe, along with director Jonah Markowitz.
Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.