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I don't think that film is too bad,of course it's not the most interesting film I ever saw but I don't think it was the point of that movie. The all film turns around Frank (nicely played by Michael Patrick),He never knew his mum because she died giving birth to him,OK just to say with a plot like that the film could have been a catastrophe but because the character of Frank was played well enough it did'nt. In other Family drama with that kind of story the kid is always moaning and crying because he dos'nt know his mum or dad but Frank look more curious than depressed,Is acting like a real kid would in that situation,It's a simple but good thing about that film. And there is V,I don't agree with the comments which said she was a prostitute with a heart of gold far from it,V is very lost and she have very low self esteem.I think Melanie Griffith was lovely as V and it was different from character she usually play. Nothing to say with Ed Harris,he did is best with very little to work with because we have to admit it that the Dad is a very flat and boring character. The character of Anne Heche was supposed to be comic it was'nt instead you were wondering what the hell she was doing in that movie,the same go for Malcolm Mcdowell. the film turns around the relationship between V and Frank which is well played by both Mickael and Melanie. Of course their is some annoying scenes with Frank's Friends and Heche/Macdowell but I think the film is what it was meant to be, a heart warming family film and I had quite a relaxing one hours and a half watching it.
_**Doesn’t deserve the bad rap**_ In the Ohio suburb of Middleton three boys gather their ‘milk money’ so they go to the nearby city, Cincinnati, and see a prostitute naked. One of the boys, Frank (Michael Patrick Carter), befriends the woman (Melanie Griffith) and wants her to meet his single dad (Ed Harris), a teacher who’s trying to save the nearby wetlands. Malcolm McDowell is on hand as a heavy while Anne Heche appears as a kept woman in the city. "Milk Money" (1994) is a modern day fairy tale that’s part pubescent coming-of-age dramedy and part romantic-comedy. Critics reviled it, obviously because the subject matter made it an easy target but it has a lot of heart once you look beyond the prostitution component. For instance, Frank really just wants a caring mother, as well as a wife for his lonely, workaholic father who needs a good woman to rock his mundane world. The question is, can a call girl possibly be a ‘good woman’? In other words, is there redemption for a soiled sex worker and what is the key to that redemption? Not only is love the answer it’s also the element necessary for bringing out submerged love in the one being redeemed. There’s also a lesson about objectifying a woman. The boys only see the prostitute as an object to appease their curiosity and blossoming lust, but soon discover she’s a human being with feelings and value beyond her body. Even more, the woman clearly wants OUT of the empty, repugnant lifestyle she fell into since she was 14; she craves love, wholesomeness and respect. Say what you will, but these are some heavy morals for a farce about some boys wanting to become men, a nice father concerned about the condemned wetlands and a pretty sex worker. The film runs 1 hour, 47 minutes, and was shot in Cincinnati, Ohio, including the Wheeler house and the school, while the ice cream parlor & town scenes were done in Lebanon, about a 20 minute drive northeast of the city. Some shots were also done in Pittsburgh. GRADE: B-
This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. When Oscar is killed by police during a bust gone bad, his spirit journeys from the past - where he sees his parents before their deaths - to the present - where he witnesses his own autopsy - and then to the future, where he looks out for his sister from beyond the grave.
Ruby and her husband Claude are a working-class couple who live in suburban Arkansas. As crazy as they are for each other, their relationship is far from harmonious. (The lack of money doesn't help matters, either.) In fact, their whole family is fraught with unresolved conflicts. Then Claude's uncle is arrested on a felony charge, and everyone rallies round. Ruby's mother Jewel and flirtatious sister Rose (Claude's ex-girlfriend) even fly in from Tennessee; but, far from being a source of support, Jewel seems only to want to break up Ruby and Claude.
A blind, uneducated white girl is befriended by a black man, who becomes determined to help her escape her impoverished and abusive home life.
17-year-old Asher is split between his charismatic teacher and his brash father, who wants him to take over his scaffolding business.
Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.
An accidental death at a bachelor party spurs a night of shooting, kidnapping and murder in the host's home.
Marianne wants to become a dancer, but her teacher considers her to be untalented.
Hooker and Gondorf pull a con on Macalinski, an especially nasty mob boss with the help of Veronica, a new grifter. They convince this new victim that Hooker is a somewhat dull boxer who is tired of taking dives for Gondorf. There is a ringer. Lonigan, their victim from the first movie, is setting them up to take the fall.
A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.