Beethoven: Fidelio - Salzburg Festival

Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.

A chronicle of the life of infamous classical composer Ludwig van Beethoven and his painful struggle with hearing loss. Following Beethoven's death in 1827, his assistant, Schindler, searches for an elusive woman referred to in the composer's love letters as "immortal beloved." As Schindler solves the mystery, a series of flashbacks reveal Beethoven's transformation from passionate young man to troubled musical genius.

Even as a young boy, Beethoven marched to the beat of a different drummer. Trained in the traditional music methods by his father, Beethoven was an accomplished pianist by the age of 12. But he yearned to try new sounds and persevered until audiences heard his music. By his early twenties, this persistent young man performed for Joseph Haydn, who compared him to the great Mozart. Sadly, Beethoven began to lose his hearing, but he threw himself even more deeply into his music, composing "Fur Elise," "Sonata Pathetique" and the dramatic "Fifth Symphony" years later, audience members heard what he could not and leapt to their feet in ecstatic appreciation for such passionate music. His creativity gave the world then, as it does today, music that stirs the soul. The video begins in 1827 with 30,000 people paying tribute to the great Beethoven in Vienna, Austria. Then the video switches to his life as a child...

If Daniel Barenboim is not the world's greatest living classical musician he is certainly the most versatile. In a career spanning more than 50 years, his name is attached to many of the celebrated recordings of opera, symphony, small ensemble and piano solo. With the later half of his career marked by distinction at the podium, one may forget that he is still an accomplished concert pianist. Here we are treated to both talents as Barenboim conducts the Staatskapelle Berlin and plays all five of Beethoven's piano concerti. From the accompanying booklet we find that Barenboim first recorded these works in 1967 at the age of 24 under Otto Klemperer. Now he is revisiting them 40 years later on the occasion of his 65th birthday.

Leonard Bernstein filmed Piano Concertos 3, 4, and 5 in 1989, but did not live to film the first two. He died in 1990. So Krystian Zimerman, the pianist, paid tribute to Bernstein and rounded out the set in 1991 by both playing and conducting Concertos 1 and 2.

In Search of Beethoven offers a comprehensive documentary about the life and works of the great composer. Over 65 performances by the world's finest musicians were recorded and 100 interviews conducted in the making of this beautifully crafted film. Eleven interviews are included in the Extras and Six complete movements.

In this recording, seven-time GRAMMY® Award-winning pianist and conductor Daniel Barenboim tackles the so-called 'New Testament' of music, Ludwig van Beethoven's thirty-two piano sonatas, composed over twenty-five years and embodying the shift of musical taste from the Classic to the Romantic, their performance requires a musician of extraordinary versatility. Daniel Barenboim is one such pianist his recordings run the gamut from Bach and Mozart to Bruckner and Bartók.

When his mother rents their vacant room to a peculiar composer, Christoph can't believe his bad luck. But as the abrasive boarder, Ludwig Van Beethoven, begins creating his masterful 9th Symphony, Christoph is won over by the majesty of his music. This lighthearted family drama was awarded the 1993 Emmy for Outstanding Children's Program.

Christian Thielemann and the Vienna Philharmonic Orchestra performing Beethoven Symphonies 1-9

Glenn is a disillusioned piano teacher, who once aspired to be a concert pianist. He is moving back to his parents house and is on the brink of giving up the piano for good when Kilov, a Russian gangster, offers him a unique opportunity: £10,000 if Glenn teaches his daughter Beethoven's "Fur Elise"... in a day.

To play Beethoven's music is to give oneself over completely to the child-spirit which lived in that grim, awkward, violent man. Without that utter submission it is impossible to play the Adagio of the Ninth. Or, Heaven knows, the first movement. And the Finale? Most of all! It is simply unplayable unless we go all the way with him, as he cries out "Brüder!" - Leonard Bernstein