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Really good watch, will eventually watch again, and can recommend, but less so for younger audiences. I never remembered all the weird adult humor in this, it is usually just the charming grinchiness of Jim Carey's overacting that sticks with me, and maybe the Christmas spirit of Mary Lou Who. The movie manages to ride this wonderfully line between keeping the spirit of the book (even rhyming at times) and being new and refreshing, but it does do that by playing to the adults that would have read the book as a child rather than endearing a new generation of children, but I think they intended to try to do both. Jim Carey embodies the Grinch like no one else possibly could (I think Mike Myers proved that in "The Cat in the Hat"), and that is the majority of this so if you don't enjoy him, then you won't enjoy this movie. I do think they added some refreshing character interactions, though some of the execution is much better than others. While it is far from a perfect movie, my biggest gripe is their stupid noses: it seriously bothers me the entire movie. It bothers me more than them dressing the Grinch, which points out that he is naked a LOT with his "co lead" being a young girl: you can see it just distracts from the spirit of the movie. I don't think that everyone is going to love this movie, but it's hard to imagine that people will hate it.
Really good watch, will eventually watch again, and can recommend, but less so for younger audiences. I never remembered all the weird adult humor in this, it is usually just the charming grinchiness of Jim Carey's overacting that sticks with me, and maybe the Christmas spirit of Mary Lou Who. The movie manages to ride this wonderfully line between keeping the spirit of the book (even rhyming at times) and being new and refreshing, but it does do that by playing to the adults that would have read the book as a child rather than endearing a new generation of children, but I think they intended to try to do both. Jim Carey embodies the Grinch like no one else possibly could (I think Mike Myers proved that in "The Cat in the Hat"), and that is the majority of this so if you don't enjoy him, then you won't enjoy this movie. I do think they added some refreshing character interactions, though some of the execution is much better than others. While it is far from a perfect movie, my biggest gripe is their stupid noses: it seriously bothers me the entire movie. It bothers me more than them dressing the Grinch, which points out that he is naked a LOT with his "co lead" being a young girl: you can see it just distracts from the spirit of the movie. I don't think that everyone is going to love this movie, but it's hard to imagine that people will hate it.
I'm not gonna lie, this version of the Grinch scared the crap out of me when I was a kid! But as I got older I started to get use to it. The trick was to just listen to the whole thing without looking at it and gradually (each year take a peak).
At first I didn't like this movie. It's one of my daughters favorites tho. So she would always want to watch a lot around Christmas time. Now I don't mind it and it's like a Christmas tradition for us now to watch this movie.
This is my favorite version and has been my favorite since I was a small child.
**A movie about Christmas, and about the way we face it.** For starters, I must clarify that I have never seen any other material about Grinch, much less the original book where this character was created. I will judge this movie for what it is, without weaves comparisons. He is not my Christmas favorite, never was, I even think it is a little scary for smaller children, given the mischiefs and attitude of Grinch. But it has a good story, good dialogues and other qualities. What is Christmas? Many will say that's the family or children's party. I accept, but in fact, it is the symbolic date that the Catholic Church marks the birth of Jesus. No one knows when Jesus was born, but the Church chose the date for convenience, coinciding the feast with an older pagan celebration, Saturnalia. For centuries, Christmas was just a festive day when Catholics confessed themselves, listened to Mass and ate fish (the consumption of meat and candy is forbidden on holy days, even though the elites did, by paying cash indulgences... in my country it's still tradition to eat codfish in Christmas Eve). The "invention" of modern Christmas happened in the late nineteenth century, with capitalism, and the creation of toy industries and food industries that allowed the middle classes a more interesting supper and the gift for children, offered to them by Baby Jesus and, later, for the invented character of Father Natal (in Spain, this exchange of gifts is only made on the day of kings in January, what I think makes full sense). This is how, in England, Germany and the US, Christmas became more commercial, more focused on consuming, gift distribution and conviviality, and the religious aspect was putted in the background. This movie, released in the 1980s, shows us an evil character who learned to see Christmas as futile due to this obsession with toys, gifts and food. He does not know how to express this in the best way, he's unaware that behind this is a greater meaning, but what Grinch rejects is precisely this "commercial Christmas." And I couldn't agree more with him… So, through his mischiefs, Grinch will help people to rediscover the meaning of Christmas, even if this is not his real purpose. This is the beauty of this story, for me: Grinch will help the Whoos while they will help him to understand that Christmas is more than gifts or food. Directed by Ron Howard, a director whose credits do not require presentations, the film is very well done and was a gigantic box office hit and critical success. It became a Christmas classic, although today it is not so popular. With no dead moments, it has an excellent pace, it does not lengthen too much, it is not tiring, and the script does what it needs, although with various flaws and several jokes that are not working. I liked, in particular, the narrator's interventions and rhymes, something that reinforces the idea that this is a children's story. Cinematography is amazing, with vibrant and flashy colors, and the soundtrack, not being memorable, has good qualities. Jim Carrey did very well in accepting the difficult task of bringing Grinch to life. I can only imagine how boring it was for him to be subject to that make-up routine every day, but it was totally worth the time and sacrifice: he's unrecognizable and absolutely credible and authentic under that thing, and has a natural gift to model the voice as he wants and suits to the character. Sir Anthony Hopkins also deserves praise for his participation, having lent his voice to the narrator. The rest does a positive job, but merely supports Carrey in its task of building the movie around it.
A Chicago sports radio shock jock is changed by a Christmas season encounter with a 15-year-old fan who is dying of cancer who forces him to be nice for a day.
The Bean Pit follows Barold, a disgruntled employee working for BP (Bean Pit) Beans. His day begins like any other, running routine inspections on the Infinite Bean Pit with his co-worker Benny. What first starts as a “normal” day at work quickly devolves into chaos as Barold inadvertently witnesses the terrors that his corporate overlords are trying to hide. Barold finds himself entangled in BP Beans’ web of conspiracies, and can’t seem to find his way out.
A young girl and her two friends from the exceptionally strange land of Oddsville make plans to celebrate Christmas together, but when she is late to pick them up from the train station, the pair wander out on their own leading to a delightful series of hilarious mishaps, inventions, and flights of fancy - until they find their little friend, who finally shows them the true meaning of Christmas.
Harry Potter has lived under the stairs at his aunt and uncle's house his whole life. But on his 11th birthday, he learns he's a powerful wizard—with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. As he learns to harness his newfound powers with the help of the school's kindly headmaster, Harry uncovers the truth about his parents' deaths—and about the villain who's to blame.
Cars fly, trees fight back, and a mysterious house-elf comes to warn Harry Potter at the start of his second year at Hogwarts. Adventure and danger await when bloody writing on a wall announces: The Chamber Of Secrets Has Been Opened. To save Hogwarts will require all of Harry, Ron and Hermione’s magical abilities and courage.
Year three at Hogwarts means new fun and challenges as Harry learns the delicate art of approaching a Hippogriff, transforming shape-shifting Boggarts into hilarity and even turning back time. But the term also brings danger: soul-sucking Dementors hover over the school, an ally of the accursed He-Who-Cannot-Be-Named lurks within the castle walls, and fearsome wizard Sirius Black escapes Azkaban. And Harry will confront them all.
When Harry Potter's name emerges from the Goblet of Fire, he becomes a competitor in a grueling battle for glory among three wizarding schools—the Triwizard Tournament. But since Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named.
Returning for his fifth year of study at Hogwarts, Harry is stunned to find that his warnings about the return of Lord Voldemort have been ignored. Left with no choice, Harry takes matters into his own hands, training a small group of students to defend themselves against the dark arts.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.