Open Five

Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting those around her. After returning from studies overseas, Fisher falls in love with Jimmy, the down-and-out son of an alcoholic father and an insane mother who works at a store on her family's plantation.

A brother and sister, sitting in a coffee bar, bicker mildly about whose idea it was to come to Memphis and which kind of cigarette is fresher. Danny, their waiter, comes by offering refills; after determining they are twins, he guesses which is the evil one. Without a pause, he sits down and offers his theory about Elvis's twin. He drones on. The good twin finally speaks up, giving her own opinion. The waiter is unfazed. After his boss finally calls him back to work, the twins are free to resume their bickering amidst the coffee and cigarettes.

In Memphis, Tennessee, over the course of a single night, the Arcade Hotel, run by an eccentric night clerk and a clueless bellboy, is visited by a young Japanese couple traveling in search of the roots of rock; an Italian woman in mourning who stumbles upon a fleeing charlatan girl; and a comical trio of accidental thieves looking for a place to hide.

World-traveler Harper returns to Memphis and meets wealthy widower Owen who hires her to au pair for the holidays. As they prepare for a joint event at Graceland, their feelings grow for each other. Harper realizes she enjoys living near family and must decide if Memphis will be her forever home.

A failed filmmaker returns to Memphis with the hope of jump starting his career but is thwarted by the insanity of the film crew, the selfish conniving of his racist new boss, and the psychotic war between two gangs of historically inaccurate presidential impersonators while trying to maintain his commitment to his family. Featuring Eric Tate (Craig Brewer’s The Poor and Hungry), Ron Gephart ( Ira Sachs’ The Delta), and narrated by Michael Horse (Twin Peaks).

Zach Randolph Documentary. This documentary film chronicles Grizzlies’ legend Z-Bo and his journey in Memphis, from the trade that brought him to the Bluff City, to every Z-bound, headband toss, MLGW bill, chokeslam, and more

The story of Michael Oher, a homeless and traumatized boy who became an All American football player and first round NFL draft pick with the help of a caring woman and her family.

A look into the birth of the soul music scene on Beale Street in Memphis, Tennessee. Chronicles the rise of soul music, the creation of many iconic songs, and the effect that the genre would have on generations to come. Featuring interviews with B.B. King, Isaac Hayes, Steve Copper, and many other legendary artists.

Southern indie rockers Lucero hit the road in this documentary, which shows the Memphis, Tennessee band on tour and in the studio. In addition to candid interviews with band members Ben Nichols, Roy Berry, John Stubblefield and Brian Venable, the video features footage of the band on tour with The North Mississippi All-Stars, in the studio for the recording of "Tennessee" and performing live at the Memphis in May Music Festival.

A documentary about the razing of Memphis history.

At the heart of "Dreaming in America" is Lucero's story about that amazing thing, too often overlooked: a blue-collar rock group's struggle to survive. As the music industry has exploded over the past few decades and the ability to "move units" has become the defining calculus of the business, it's an incredibly emotional experience to see a band who does it because they have to, because their lives depend on it, and because they love it. There are hundreds of such bands criss-crossing the country at any given moment. This is a film about one of them-a band on the edge of greatness, working to break through. In a happy bit of rock kismet, "Dreaming in America's" cameras started rolling just as Lucero was breaking from its indie rock past and considering the treacherous leap to a major label deal unlike anything seen by the industry before. At that point, the band was between labels and, though it had sold north of 20,000 records.