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It's not naked it's nude. When Annie Clarke's beloved husband succumbs to leukaemia, her best friend Chris comes up with a unique idea for raising funds for the hospital that cared for the dearly departed John. They, and fellow members of the Knapely Womens Institute, will pose in some strategically nude pictures and sell them as a calendar! Based on a true story, and following on from the roaring success of 1997s The Full Monty, it was a story just begging to be adapted for the big screen. Also boasting a shot in the arm for actresses of a certain age, who sadly are bereft of decent cinematic parts, Calendar Girls may not be a masterpiece of homely cinema values, but it certainly warms the cockles and hits an entertaining spot in spite of the laborious last third. The cast are uniformly excellent, Julie Walters, Helen Mirren (gorgeous), Linda Basset, Annette Crosbie and Geraldine James are particularly memorable in telling this tale of a close-knit village quite unsure on how to deal with a touchy subject. From there the press sensationalism arrives and this shifts the girls (and sadly the film) to another plane. The picture manages to be that rare old thing of a comedy drama actually impacting heavy on both fronts. The comedy moments are joyous and flow frequently for the first two thirds of the picture, whilst the touching drama, of what is a serious subject at its core after all, really touches a nerve. Sadly as we enter the final third, the makers tag on an unnecessary dissection of friendships and relationships, and it nearly costs the film dear. It does survive, mainly due to the wonderful cast and the integrity laden point of view, making it a film that once viewed is clearly not going to be forgotten. So in the main we should all hail those wonderful Calendar Girls. 7/10
Another one of those movies I watched decades ago and recently revisited. I enjoyed it just as much as I did the first time. It reminds me of Waking Ned Devine in a way. It contains witty and realistic dialogue and a good percentage of the actors are older. There is a bit more drama in Calendar Girls, but it never submerges into melodrama. I am glad I watched it a second time. It has aged well and is a classic feel old movie.
Another one of those movies I watched back when it came out and recently watched again. Like the women who pose for the calendar, the movie has aged well. My wife and I watch a lot of British tv (for Americans) so we have seen the actresses in many other excellent performances. Calendar a Girls reminds me of another great movie, (Waking) Ned Devine. There is humor, a feel good plot, and a fine ensemble cast. There are a perhaps a couple of more serious subplots in this film, such as Alderton’s character’s illness that gives birth to the calendar fundraiser. The movie is of course based on an actual fundraising calendar undertaken from women aged 45-65. I didn’t research it to see how accurate the plot is as I do in some reality based films, because I just watched it for is entertainment value. So should you.
My dad worked in the motor trade when I was a kid, and I was forever seeing Pirelli or Michelin calendars with scantily clad women on them; hell even the beer cans had them too! Well, it's in a garage that "Chris" (Helen Mirren) spots one and it gives her inspiration. Why? Her best friend "Annie" (Julie Walters) has recently become a widow following the death from cancer of her beloved husband "John" (John Alderton), and they are trying to organise a fund raiser to buy a new sofa for their local hospice. With another vodka tasting already ruled out by their slightly prudish WI President "Marie" (Geraldine James) they have to think out of the box, or in this case out of the bra! Yep, she decides to recruit another eleven of her friends and then rope in Richard Glenister's "Lawrence" as the photographer to create a tasteful yet provocative showcase for their beauty. Of course this isn't a straightforward procedure, there are reservations from "Marie", their husbands and even themselves in the beginning but once they've decided... Up to this point, this grand assembly of British stage and screen talent delivers a pithily written, even brave, look at sexuality amongst the older generations. The dialogue is funny and acutely observational at times, and a really solid cast with Celia Imrie, Annette Crosbie and Penelope Wilton all delivering well into the humorous meleé comes across really well. It's the second part that doesn't work quite so well. A trip to star on the "Tonight" show with Jay Leno sows some seeds of martial and familial discord, and this all rather slows the pace down. Though doubtless faithful to this true story, I just felt we could have done without it and just focussed on the joy - and there is plenty of that - of the thing. There's a good dynamic between Mirren and Walters and even now, twenty years later, this has a potency that has to question whether anyone would do it at all nowadays. It's good fun, this.
The story of the conception of a new British weapon for smashing the German dams in the Ruhr industrial complex and the execution of the raid by 617 Squadron 'The Dam Busters'.
Lord Donald and Lady Nancy reside in the magnificent but run-down Longleigh House with James, their mentally disabled adult son. Nancy has fallen seriously ill and Donald is preparing to sell the house to raise enough money to pay for an operation. He arranges for the family nurse, Mary, to take care of Nancy while he leaves to tend to the sale. However, James wants to prove to his father that he can look after his mother on his own and decides to lock Mary out of the house. It isn't long before James starts mixing his mother's pills and forgetting to take his own medication, and as the stress of looking after his mother increases, so too does the severity of his own condition.
The Tashkent Files is a thriller that revolves around the mysterious death of India's 2nd Prime Minister Shri Lal Bahadur Shastri and attempts to uncover if he had actually died a natural death, or, as alleged, was assassinated.
Ben Crane believes that a severely injured racehorse deserves another chance. He and his daughter Cale adopt the mare and save it from being sacrificed by the owner.
The true story of suburban housewife Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s.
Ramasamy profits from the superstitions of people in his village by exploiting their beliefs in regards to the village temple. However, his life takes an unexpected turn when the temple, his primary source of income, is temporarily closed.
A violated girl is trapped in an underworld of shame. As a child, she was exploited by her father and his friends, and then thrown to the streets as a vulnerable teenager. Despite life going against Mel at every turn, she is determined to see the good in people and find hope before her past catches up with her.
Yorkshire moorlands, northern England, in the late 18th century. Young Heathcliff, rescued from the streets of Liverpool by Mr. Earnshaw, the owner of Wuthering Heights, an isolated farm, develops over the years an insane passion for Cathy, his foster sister, a sick obsession destined to end tragically.
An FBI undercover agent infiltrates the mob and identifies more with the mafia life at the expense of his regular one.
The life and career of shock-jock superstar Howard Stern is recounted from his humble beginnings to his view from the top. Possessing a desire to be an on-air personality since childhood, Stern meanders through the radio world, always with his supportive wife, Alison, by his side. Landing a gig in Washington, D.C., Stern meets Robin Quivers, who will become his long-time partner in crime. When the two move to New York, they face the wrath of NBC executives.
Taxi driver Sang-gu is an ordinary father who has made a happy family. Due to their unfortunate financial circumstances, he is sorry that he cannot afford to send his daughter Yoon-mi to university like other parents. Yet, with a bright smile on her face, Yoon-mi tells her father that she will one day buy him a new car and pay college tuition fees for her younger sibling. However, less than two years after Yoon-mi begins her job at a large corporate company, she gets seriously ill and returns home. Sang-gu is heartbroken to see his young daughter in such a condition.
