A Quiet Place Day One 2024 - Movies (Oct 2nd)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Into the Deep 2025 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Gladiator II 2024 - Movies (Feb 23rd)
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The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
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Lidias Kitchen - (Feb 24th)
Snapped - (Feb 24th)
Tribunal Justice - (Feb 24th)
When Calls the Heart - (Feb 24th)
Grosse Pointe Garden Society - (Feb 24th)
Fatal Family Feuds - (Feb 24th)
Scars of Beauty - (Feb 24th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
At first, I strongly identified with Llewyn Davis' struggles — I think you'd be hard pressed to find a musician who doesn't — but by the film's end, I realize not only how many of those struggles are self-inflicted, I feel as if Llewyn is going to cycle through them many more times before things pick up or bottom out. Musically, Llewyn comes across as scrappy and soulful. He's just the person I'd want singing those sad, world-weary folk songs, at least compared to the cleaner- cut performers he meets throughout the film. And yet, that soul seems to come from tragedies (the suicide of his one-time musical partner) and anxieties (the relationships with family and former lovers) he's too stubborn or poor of spirit to work through properly. He keeps floating by thanks to some enablers. Couches are continually offered for him to sleep on, even after Llewyn insults their owners. A club owner still books him as a performer, even after he is forcibly removed from the club for heckling other performers. It's hard realizing you're in a vicious cycle while you're still inside of it, trying to keep your head above water. It's even harder when connecting with people is as difficult as it is for Llewyn. I feel like the Coen brothers understand that, take it seriously, and yet, from that, created something that made me laugh and engrossed me.
Aspiring folk musician "Llewyn" (Oscar Isaac) finds himself in Greenwich Village in New York during the winter of 1961 trying to make a living from his art. He's a well known face in the clubs having been part of a jobbing duo for many-a-year, but now he is finding it much harder to crack the scene as a solo artist. His aspiration has an habit of blinding him, though, and his somewhat erratic behaviour stresses his relationships with fellow folkies "Jim" (Justin Timberlake) and "Jean" (Carey Mulligan) on whose couches he finds himself increasingly relying. To add to his woes, his manager "Mel" (Jerry Grayson) isn't really much cop and his eponymous album isn't exactly flying off the shelves. "I know", he thinks, a change of scenery. A chance meeting with the enigmatic "Turner" (John Goodman) and his word-shy driver "Johnny" (Garrett Hedlund) takes him to an interview in Chicago with the talent-spotting "Bud" (F. Murray Abraham). Might any of this help our budding Bob Dylan make any progress? The drama itself here is really intimately presented, with some tight photography helping to convey the emotion maelstrom this man is living through as he tries to reconcile his almost puritanical search for perfection with his growing appreciation of the real - and not so accommodating - world. There's a great little song with himself, Timberlake and the sparingly used, but on-form, Adam Driver ("Al") that shows the latter has some solid musical timing, and a good sense of humour too! This looks like a labour of love - not just for the Coen's, but for Isaac who genuinely seems to sweat the role. It's a wee bit wordy, but the ensemble ensure that the segments of his life and travels in search of something intangible become and remain engaging to watch. Oh, and it's true - everyone else does sing Dylan songs better than he does himself!
The film shows a strong bond between two brothers that live in a remote fjord with their parents. We look into their world through the eyes of the younger brother and follow him on a journey that marks a turning point in the lives of the brothers.
A Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.
When perpetually single, aging music industry exec Harry Sanborn, and his latest trophy girlfriend, Marin, arrive at her mother's beach house in the Hamptons, they find that her mother, playwright Erica Barry, also plans to stay for the weekend. Erica is scandalized by the relationship and Harry's sexist ways. But when Harry has a heart attack while there, and the doctor prescribes bedrest, his only option is to stay at the Barry home. Left in the care of Erica and his doctor, a love triangle starts to take shape.
A pleasant drive through a countryside is filled by melancholy as unpleasant memories surface.
A young woman discovers second-wave feminism, while meeting with her estranged half-sister, as they encounter the grief, rage, jealousy and injustice that govern their lives. The academic and political discussion of women's liberation and feminism (as part of the sexual revolution of the 1970s) draws inspiration from 'The Scum Manifesto' by Valerie Solanas and juxtaposes these passage with country music from the same era; notably 'The Pill' by Loretta Lynn, 'Just Because I'm A Woman' by Dolly Parton and, most centrally, 'Stand By Your Man' by Tammy Wynette.
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. As the resourceful band of thieves burrows its way into a safe-deposit vault at a Lloyds Bank, they quickly realise that, besides millions in riches, the boxes also contain secrets that implicate everyone from London's most notorious underworld gangsters to powerful government figures, and even the Royal Family. Although the heist makes headlines throughout Britain for several days, a government gag order eventually brings all reporting of the case to an immediate halt.
A tale of a philosophical womanizer who is forced to question his seemingly carefree existence.
After the Creed family's cat is accidentally killed, a friendly neighbor advises its burial in a mysterious nearby cemetery.
Jill Temple is a single mother still grieving the loss of her young son after he disappeared two years ago. Unable to face the possibility that she has lost him forever, she pursues every lead and meets Burton Rose, a man with a shrouded past. The details of that past - and how Burton has responded to it - force Jill to look at her life in a completely new way.
Leni takes Rafi to meet her family in Madrid. Leni's family is Jewish - mother, father, older sister and daughter, brother, and grandfather. Rafi is Palestinian, in Spain since age 12. Before her father returns from work, Leni reveals Rafi's origins. He accidentally drops a block of frozen soup out the flat window, probably killing a passerby. Leni initiates a cover-up and Rafi figures out the body is probably Leni's father. The body disappears and without telling the rest of the family what they know, Leni and Rafi organize a search for dad. Mom is sure he's having an affair. Leni's belly-dancing sister kisses Rafi. Her brother grabs a rifle to shoot the Arab. Can anything be put right?