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The Council Estate Western. Wild Bill is directed by Dexter Fletcher who also co-writes the screenplay with Danny King. It stars Charlie Creed-Miles, Will Poulter, Liz White, Sammy Williams, Charlotte Spencer, Leo Gregory, Neil Maskell and Iwan Rheon. Music is by Christian Henson and cinematography by George Richmond. Wild Bill Hayward (Creed-Miles) is just out of prison after serving eight years. Heading home he finds his two sons Dean (Poulter) and Jimmy (Williams) fending for themselves after their mother abandoned them. Bill hadn't planned on hanging around, but if he doesn't then the boys will be taken into care. More pressing is that the local drug runners have got young Jimmy working for them, Bill might just have to take his parental responsibilities to another level and justify his Wild reputation. Splendid piece of British grit and wit, Wild Bill follows in the traditions of films directed by British actors, who for their debut directing assignment impressed with the ability to grab the attention and no loosen the grip. Fletcher has done a bang up job here, managing to turn what could have been a standard dysfunctional family melodrama into something more meaningful, engaging and suspenseful. Story is set to the backdrop of working class London, where the building of the Olympic stadium serves as a beacon of hope in the distance, while our principal characters struggle through a world of grimy flats, empty pubs, dirty cafés and drug infested council estates. The narrative operates on two fronts, Bill (Miles superb) is trying to keep on the straight and narrow, as he candidly observes, if his dog craps on the pavement he will get 18 months back in prison! But as he tries to build a relationship with his two sons, especially the older and more colder Dean, circumstances are drawing him back into the violent world he desperately wants to leave behind. It's this angle that gives the film its suspense, as viewers we are wondering if Bill can achieve his goals, will he get a break, will the family become one unit? Elsewhere the film operates as a coming of age story, where Dean has had to grow up real fast to look after his younger brother, even taking on employment at the age of 15 to provide for Jimmy and himself. Then there is matters of the heart, as he is strongly attracted to local girl Steph (Spencer), this aspect is very well handled by Fletcher, who gets the excellent Poulter to deftly portray those early nerves when Cupid starts to draw back its bow, the tentative fumblings of young love easily identifiable to us all. Pic is full of familiar British faces, most of them just stopping by in cameos to lend friendly support to Fletcher's project. They all offer a reassuring presence to proceedings, adding further weight to what is damn fine debut picture. Sometimes violent, often heart warming and tender, and very laugh out loud funny, Wild Bill is a winner. 9/10
In Paris, Bob Montagne is practically synonymous with gambling - and winning. He is kind, classy and well-liked by virtually everyone in town, including police inspector Ledru. However, when Bob's luck turns sour, he begins to lose friends and makes the most desperate gamble of his life: to rob the Deauville casino during Grand Prix weekend, when the vaults are full. Unfortunately, Bob soon learns that the game is rigged and the cops are on to him.
A Nazi propaganda movie from 1941 directed by Max W. Kimmich, covering a story of Irish heroism and martyrdom over two generations under the occupation of the British.
Ex-con attempting to go straight runs across serious problems. His girlfriend gets arrested for dealing crack to an undercover police officer. In a desperate attempt to get the charges dropped against his woman, he strikes a deal with a weapons cop to turn in local gun dealers. However, the D.A. is not satisfied with the results, resulting in some serious game playing and double crossing.
When Officer Elijah Kane and his team of undercover cops discover a new lab drug flooding through the nightclubs of Seattle, they struggle to eliminate it from the streets immediately. As if dealing with a dozen dead ravers isn't enough, the cops begin to act as security guards for an obnoxious documentarian. They quickly become privy to the filmmaker's arrogance as he attempts to make a film regarding Seattle's underbelly.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
Justice, the poets have it, is a blind goddess. Eric Portman stars as the lawyer defending a lord, Hugh Williams, accused by his secretary Michael Dennison of having diverted public funds for his own use.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.
An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.
After proving himself on the field of battle in the French and Indian War, Benjamin Martin wants nothing more to do with such things, preferring the simple life of a farmer. But when his son Gabriel enlists in the army to defend their new nation, America, against the British, Benjamin reluctantly returns to his old life to protect his son.
On his first day on the job as a narcotics officer, a rookie cop works with a rogue detective who isn't what he appears.