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According to a survey by the U.S. military government in 1946, 78% of the South Korean people wanted socialism and only 14% capitalism. By appointing the pro-Japanese collaborators and the rightists, Rhee Syngman, who had not received the people's support, massacred those groups and civilians that were political stumbling blocks. In dealing with the Jeju 4.3 uprising in 1947 and the Yeosun incident in 1948 and The Korean War having broken out, massive civilian massacre became regularized.

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

Seven months pregnant and apprehensive of the effect motherhood would have on her career as a professional freediver, Kimi Werner took a trip to the island of Jeju in South Korea to meet her heroes, the haenyeo – a group of freediving and fishing women often regarded as Korea’s first working mother’s whose culture dates back centuries.

Battling deep depression, Jaeyoun returns to her roots on the island of Marano, South Korea, to visit her family of female free fivers known as haenyeo. To her surprise, she finds a connection to nature and her ancestors that literally saves her life.

Wan-soon, a 9-year-old girl living on the island, managed to survive a massacre that took place 75 years ago. The lingering effects of this unresolved ordeal are emphasized, and the girl embarks on a journey to depict the vivid red fragments that remain in her memory, using a red colored pencil as her means of expression.

Documentary about the struggle of the people of Jeju Island, South Korea. Set in the context of the U.S. presence in Korea after World War II, the film reveals horrible atrocities at the hands of the U.S. Military Government of Korea.

The oral writer of the April 3 Uprising and a Rwandan who came to Korea to study face each other, have a conversation, and then go on a trip hand in hand. The two people, from different generations, nationalities, and occupations, have something in common: they are the daughters of massacre survivors.

Hyun Soonjik is the oldest living resident in Jeju Island. A natural diver with good skills, she became a high rank Haenyeo at an early age and has led an astonishing career of diving for eighty-seven years. Though she looks more comfortable when she is under water than when she is at home, she quit diving in October, 2020, and goes to sea every day, missing her old life as a diver. When she does, Chae Jiae who has been disciplined by Hyun, accompanies her and looks after her. Together they head for Deulmoolyeo, a place that only Hyun can find, to see the water flowers that bloom under water.