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"Dangerous Liaisons" is unquestionably one of the most captivating films to come along in quite some time. It is a visually stunning film and it makes extremely good use of some exceptional locations and interiors and the excruciatingly uncomfortable looking and cumbersome costumes are exquisitely authentic. Of course there are many people out there who will automatically shy away upon learning this is a period film and for good reason. Such films can by their very nature often be obscure and lack any meaning in the modern age. They are slow moving with arcane and unengaging dialogue and the tiresome plot can have no substance or consequence and it can lack momentum. This film has none of these failings and it is an incredibly well paced work of excellence throughout whose ensemble of characters go on the most unanticipated journeys to essentially the same destination: ruination.
Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.
When a prostitute is found dead in a Los Angeles skyscraper occupied by a large Japanese corporation, detectives John Connor and Web Smith are called in to investigate. Although Connor has previous experience working in Japan, cultural differences make their progress difficult until a security disc showing the murder turns up. Close scrutiny proves the disc has been doctored, and the detectives realize they're dealing with a cover-up as well.
An ex-convict is tracked down by his estranged teenage son, and the pair try to build a relationship and life together in Seattle.
A comedy about three men who have reached the lowest rung on the social ladder. This story about lust for life and miracles that are possible only with the aid of extraordinary women unfolds at a place which reflects life, love and death like no other.
A phobic con artist and his protege are on the verge of pulling off a lucrative swindle when the con artist's teenage daughter arrives unexpectedly.
After failing to find success as a writer in New York City, Jim slinks back to his family's home in the Midwest to lick his wounds. But his visit is quickly complicated when his angst spreads to his brother, Tim, who promptly decides to drive his car straight into a tree. Under the shadow of his sibling's injurious actions, Jim strikes up an unlikely friendship with Anika, whose centered small-town wisdom gradually rubs off on him.
Faced with an unplanned pregnancy, sixteen year old high-schooler, Juno MacGuff, makes an unusual decision regarding her unborn child.
Addie Moore and Louis Waters, a widow and widower, have lived next to each other for years. The pair have almost no relationship, but that all changes when Addie tries to make a connection with her neighbour.
In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)
An emotionally-beaten man with his young daughter moves to his ancestral home in Newfoundland to reclaim his life.
Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.