The Gutter 2024 - Movies (Mar 4th)
The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
Below the Rim 2024 - Movies (Mar 4th)
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Echo 8 2024 - Movies (Mar 4th)
Small Things Like These 2024 - Movies (Mar 4th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
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Hard Truths 2024 - Movies (Mar 4th)
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Snow White and the 7 Samurai 2024 - Movies (Mar 2nd)
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I Want to Violently Crash into the Windshield of Love 2024 - Movies (Mar 2nd)
Mythic Quest - (Mar 5th)
Berlin ER - (Mar 5th)
Daredevil- Born Again - (Mar 5th)
Prime Target - (Mar 5th)
Love You to Death - (Mar 5th)
Fixer to Fabulous - (Mar 5th)
No Gamble No Future - (Mar 5th)
Lets Make a Deal - (Mar 5th)
The Bold and the Beautiful - (Mar 5th)
The Young and the Restless - (Mar 5th)
The Price Is Right - (Mar 5th)
The Martin Lewis Money Show - (Mar 4th)
The Beat with Ari Melber - (Mar 5th)
Richard Osmans House of Games - (Mar 5th)
Dispatches - (Mar 4th)
Top Guns- Inside the RAF - (Mar 4th)
Deadline- White House - (Mar 4th)
Katy Tur Reports - (Mar 4th)
Sort Your Life Out - (Mar 4th)
Piers Morgan Uncensored - (Mar 4th)
This is a very good movie and can be a difficult one to watch if you know the history as I did, I of course knew where it was going front the beginning and where it would end up. The writing was strong and the acting superb much of the time. I highly recommend it for anyone young or old who is unfamiliar with he story. Despite the rawness of Danielle Deadwiler’s performance and the clean way the tragedy unfolded, on some weird level I wasn’t as affected emotionally as I would have expected to be. I don’t even know why. A few intangible reasons perhaps? Such as not feeling a lot of chemistry between the main characters. Like I say, I am not even sure myself. It is an excellent movie, but not one that will stick with me as a powerful slice of history like this should, or make me likely to feel I have to watch it again. But yes, do see it once at least.
Based around the true story of the appalling murder of the young Emmett Till in a racially divided 1950s USA, this delivers a truly powerful performance from Danielle Deadwyler as his mother. A woman who becomes distraught, angry and determined. Determined that those who killed her child are brought to justice. The history, sadly, tells us just how the judicial process of Mississippi back then was just as bigoted as the vast majority of the white folks who treated African Americans as little better that labouring cattle. This film is well put together, with plenty of attention to the aesthetics of the scenarios. What helps is stand out though, is the lead performance. It is gently complemented by a supporting cast that includes the engaging young Jalyn Hall as the optimistic and decent young man, but it is really all about Deadwyler and her nuanced and thought-provoking effort as the mother who funnels her distress and despair into something positive. For her, and for a broader society at large that was either unaware or just indifferent to the practical, political and downright dangerous obstacles faced by those of a different colour if they even thought about staring from the prescribed social "norms". Chinonye Chukwu keeps the pace of the story tight and well focussed - there is little room for sentiment or melodrama in this drama. There's a slide at the end that rather sums the whole thing up - the anti-lynching legislation that bears this young man's name was only implemented in 2022!
In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.
Welcome Home is being touted as a psychological drama with lots of thrills. The movie follows a pregnant woman living in a house. She is visited by a few other ladies presumably some officials and ask her about her lifestyle.
Miss Maud, an orphan, has grown up in a boarding house, raised by the conservative matron Mrs Frank. In her suppressed desires and love for Mr Eldmann, Miss Maud creates an imaginary world where love is greater than life. Perhaps even greater than death itself …
An "un-biopic" of the young Hilary Rodham set in 1969, during the unverifiable weeks her autobiography has her working at an Alaskan salmon cannery. A parable about America, political narratives, and the absence of free will.
Stéphane Blanchon lives a quiet life in Switzerland with his wife, Christine, until a young American boarder named Belle, who was living with them, is found murdered. Despite Stéphane's innocence, the evidence points to him, and he learns that Belle harbored romantic feelings for him. Suspicions mount against him; even Christine thinks he is the culprit. Stéphane's sanity begins to crumble, and he lashes out in unprecedented ways.
Jan and Maria meet at a party and are immediately drawn to each other. Their difficult financial situation and the scorn of society inflicted on them push them to a breaking point, culminating in a string of murders.
An adolescent girl loses her mother and is left to live with her distant family members. She discovers her aunt is keeping her from the last letter her mother left for her, growing her resentment toward her family.
When a U.S. congressman's daughter passing through a small town in Mississippi dies in a mysterious triple homicide, a team of F.B.I. agents descends to investigate, the team's brilliant but jaded lead agent battling demons both past and present, as his beautiful, tough-as-nails partner tries to hold him and the case together. They find a struggling and corrupt sheriff's department, a shadowy and much-feared figure, who seems to be pulling all of the town's strings from his mansion on the edge of town and a local victim with a strange connection to a number of the town's most prominent figures.
Kim Ji-young, an ordinary woman in her 30s, suddenly shows signs of being inhabited by other women from her life, past and present.
At Lara's 13th birthday, her mother takes her to a picnic in the park. Everything goes well until the girl disappears, leaving the mother in complete despair.
Law professor Chris Gallivan examines the career of one of our country's best defence lawyers, Greg King. Through the lens of King's most sensational case – the defence of Ewen Macdonald for the murder of Scott Guy - Gallivan also raises serious questions about the state of criminal justice in New Zealand today.