La traviata

In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

Two young women and their friends spend spare time at an exclusive nightclub in 1980s New York.

After a high-speed car chase, Madea winds up behind bars because her quick temper gets the best of her. Meanwhile, Assistant District Attorney Josh Hardaway lands a case that's too personal to handle: that of a young prostitute and former drug addict named Candace, also a childhood friend. When Candace winds up in jail, Madea takes the young woman under her protective wing.

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.

Tan Dun portrays the Venetian explorer's travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition. Pierre Audi's mythical staging and Jean Kalman's fabulous set design complement the composer's own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Cappella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalization.

Opera at La Scala Milan

In Paris, a young American who works as a Michael Jackson lookalike meets Marilyn Monroe, who invites him to her commune in Scotland, where she lives with Charlie Chaplin and her daughter, Shirley Temple.

Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.

A former porn director, who once elevated the genre with 1960s counter-culture ideals, returns to filmmaking after 20 years, clashing with his producer's hard-core vision. Estranged from his son over the family business, they begin reconnecting as the son embraces political activism, while the director seeks personal renewal.

In 1900s India, Calcuttan zamindar Devdas Mukherjee — unable to marry his lover — takes up alcohol and the company of a courtesan to alleviate the pain.