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ODessa 2025 - ()
Hamlet 2024 - ()
Modì Three Days on the Wing of Madness 2024 - ()
The Twister Caught in the Storm 2025 - ()
DSLR 2025 - ()
One Night in Tokyo 2025 - ()
Midwinter 2024 - ()
Flight Photographers 2025 - ()
American Terror Tales 3 2024 - ()
Bert Kreischer Lucky 2025 - ()
Dead Teenagers 2024 - ()
Wolves Against the World 2024 - ()
Bill Squire Were Getting Famous 2024 - ()
Andrew Orvedahl Doom Math 2024 - ()
Final Heist 2024 - ()
National Anthem 2024 - ()
Finding Me 2025 - ()
Rich Flu 2024 - ()
Across the Line 2025 - ()
Jersey Bred 2024 - ()
Werner Krauss made quite a few titles with GW Pabst, and I consider this to be one of their better silent efforts together. He is the happily married "Fellman" who suddenly, and inexplicably, finds him self desirous of killing his wife (Ruth Weyher) with a knife. Now it has to be said that she could certainly be doing with an haircut, but anything else might be a tad too severe... Terrified by his new obsession, and by the impending arrival of his best friend (her cousin "Erich" - Jack Trevor) he flees their home to live with his mother (Ilka Grüning) who is reduced to cutting his food as he, by now, cannot bear to even handle a knife. Desperate, he seeks the help of "Dr. Orth" (Polycarpe Pavloff) who suggests that perhaps psychoanalysis might offer some explanation - and to the couch he goes. I suspect modern day psychiatrists would squirm at the very simplistic "it's all from an obscure or profound event from your childhood" - approach taken here, but it's almost 100 years old and the efforts and innovations being exemplified by "Orth" are quite intriguing to watch. The first cinematographic identification of the "id" that later played such a huge part in films like "The Forbidden Planet" (made thirty years later) is quite compellingly broken down for us in a perfectly plausible, if at times overly dramatic fashion. The dream sequence combines efficient special effects with his own personal allegory really quite effectively, and the score did much to add to the emotional angst of "Fellman" - who didn't actually want to murder his wife. You'll either love or hate the ending - I don't think there is much middle ground on that, but the whole thing is certainly worth catching up with.
Two troubled men face their terrible destinies and events of their past as they join together on a mission to find the Holy Grail and thus to save themselves.
Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.
While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.
A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.
Pennsylvania, 1993. After getting caught with another girl, teenager Cameron Post is sent to a conversion therapy center run by the strict Dr. Lydia Marsh and her brother, Reverend Rick, whose treatment consists in repenting for feeling “same sex attraction.” Cameron befriends fellow sinners Jane and Adam, thus creating a new family to deal with the surrounding intolerance.
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.
A former child star torments her paraplegic sister in their decaying Hollywood mansion.
A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.
Karin hopes to recover from her recent stay at a mental hospital by spending the summer at her family's cottage on a tiny island. Her husband, Martin, cares for her but is frustrated by her physical withdrawal. Her younger brother, Minus, is confused by Karin's vulnerability and his own budding sexuality. Their father, David, cannot overcome his haughty remoteness. Beset by visions, Karin descends further into madness.