War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Much is made of the physical history of this film. The fact that it's only decent copy lies safely in the vaults of UCLA but I wonder if maybe that's not the best place for this rather unremarkable melodrama? The story centres around "Isabella" (Ann Harding) who marries "Sir Robert" (Conrad Nagel) who accepts her son but his sister "Cornelia" (Cecilie Loftus) doesn't. She now gets up to a bit of manipulation and stirring and that ends up driving the mother away, and to Paris where she makes a new life for herself - never forgetting the child she was forced to leave behind. When it turns out that the encroaching Prussians are going to upset her apple cart and an explosion puts her in the care of physicians who advise that that a darkened room is needed if she is to save her sight, she decides she must return to Britain and see her young lad whilst she still can. There are one or two scenes here where the dialogue is suitably robust for Harding to deliver well, especially when facing down her meddling sister-in-law, but for the most part this is really nothing special. The story follows a fairly predicable path of woe and merriment and more woe and try as I did, I just couldn't really get invested in the affairs of "Isabella" or her predicament - even if her treatment by the men in her life was at best indifferent, at worst cruel and possessive. The photography's fine and all in all it's an adequate drama, but one I think I'll only ever watch once.
On the windy and cloudy beach, Granny is praying, Mum is shouting, the sisters don’t care, Lucas is alone. Grandpa was a weird guy, now he's dead.
As a family of siblings and their spouses gathers at their father's deathbed, old jealousies and new angers and liaisons lead to an inevitable climax.
Outlaw Jesse James is rumored to be the 'fastest gun in the West'. An eager recruit into James' notorious gang, Robert Ford eventually grows jealous of the famed outlaw and, when Robert and his brother sense an opportunity to kill James, their murderous action elevates their target to near mythical status.
A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
After the death of a septuagenarian woman, her three children deliberate over what to do with her estate.
Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.
A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.
In a small town in the Basque country, Lucas and Maria are an elderly brother and sister. They share a house with their memories and the ghosts of the people they have loved throughout their lifes. They know that sooner or later they will buy their ticket for their final journey. Marcos and Roma are young and alone. She's a nurse and paints windows that embellish the views from her room. Marcos is a street performer with no home of his own, clinging to his accordion and a pile of questions. They don't know that sooner or later they will all set out on a journey together.
Chelsea Bledsoe and her husband Graig throw a surprise intervention for her old high school boyfriend, Henry, with a mismatched group of acquaintances from back in the day to fill out the guest list.
Two young adults reflect on their fathers' lives stuck in a cyclical time loop. As the couple reflects on their fathers, Charlotte uncovers the pain behind her relationship with her dad.
With the death of her mother, eight-year-old Anna ends her childhood: From now on, she has to look after the nine-member family. Deprivation-rich years, which also find no end when Anna marries: Her husband Albert must be a soldier in the Second World War, and the pregnant Anna has to work hard in the farm and care sick relatives. Lonely and exposed to the harassment of the tyrannical mother-in-law, she waits for Albert, with no certainty that he will ever return.