War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
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The Kelly Clarkson Show - (Mar 29th)
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Diners, Drive-Ins and Dives - (Mar 29th)
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Horrible Histories - (Mar 29th)
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The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Though Richard Attenborough takes top billing in this drama, I think Bernard Lee actually delivers the more potent performance as the shop steward "Bert". He calls for an unofficial strike of the workers at an engineering plant. Out they go, well most of them do - and it is soon clear to the audience that there is an agitator amongst the workforce intent on using this dispute for a greater purpose. We also encounter a few local hoodlums who have few scruples when it comes to persecuting - violently at times - those few workers who cross their picket line and continue to work. "Curtis" (Attenborough) is one such man. He already has a young son, and his wife is expecting his second child - so money is too tight for him not to get a wage. Pretty soon he is the victim of a vendetta from his erstwhile colleagues as they ostracise him completely. Director Bryan Forbes and co-star Michael Craig ("Wallace") had a hand in the writing and that is powerful. It generates a genuine sense of menace as those daring to break the strike find their property and their physical safety compromised whilst their erstwhile friends struggle with their consciences. Brian Bedford also stands out as the thuggish "Barrett" and there is also a potent, if sparing, contribution from Pier Angeli as the young man's wife "Anna". Ordinarily, one might expect this story to be about the abuse of power by an employer; here, though, the abuses are clearly coming from those with a broader agenda quite capable of mobilising a workforce of political sheep. The ending is rather rushed - almost incomplete, unfortunately but the ensemble and the toic work really well here to create a thought-provoking piece of cinema that packs a lot into ninety minutes.
Devaraj, a factory worker, faces many challenges when he joins a new job. Can he overcome them?
A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..
Madge Garvey (Dorothy Phillips) works in a shoe factory. Her father Joe (Richard de la Reno) is a drunk who beats his wife (Alice May Youss), and her sister Helen (Belle Bennett) has repeated the pattern by marrying Dan Mallory (Edward Brady). The new foreman, John Blake (William Stowell), fires Mallory. Mallory attacks him, but because of his alcohol abuse, his heart gives out and he dies. Blake asks Joe for Madge's hand, and he accepts for her. Madge longs for something better, when Cora, a former stenographer from the company (Golda Madden), writes her from the big city.
The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.
A story based on the life of a struggling Long Island single mom who became one of the country's most successful entrepreneurs.
The workers in a small plough factory take over the firm, but when a large order falls through, the old management come back to help out.
At New Mexico's Empire Zinc mine, Mexican-American workers protest the unsafe work conditions and unequal wages compared to their Anglo counterparts. Ramon Quintero helps organize the strike, but he is shown to be a hypocrite by treating his pregnant wife, Esperanza, with a similar unfairness. When an injunction stops the men from protesting, however, the gender roles are reversed, and women find themselves on the picket lines while the men stay at home.
Hilarity ensues when a falsely accused fugitive from justice hides at the house of his childhood friend, which she has recently rented to a high-principled law teacher.
A teacher is handing out examination results to his students in an industrial school and he points out to them that work is the most important thing in a person's life. Karel is pleased with his results but Vláďa's are bad. During the holidays Karel goes off to a factory to get work experience. Vláďa prefers to laze about and read poetry. In the end, however, he decides to follow Karel's example. At first the work doesn't agree with him, but after a few days, he gets used to it and finally he is glad to be able to work in the factory. One day he is injured at work and in hospital he has time to think about his future. He tells Karel, who visits him in hospital, that he has decided not to carry on with studies which don't interest him. He feels he will be more useful if he stays on at the factory.
Pod decides to change jobs after losing his finger at a sardine packing plant. His new job as a security guard comes with an unexpected perk in the form of a lanky maid who carries a mysterious white book.
In an industrializing Italian town, a married woman, rendered mentally unstable after a traffic accident, drifts into an affair with a friend of her husband.