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The movie is classic and yet this is my first time watching this. Peter Lorre alone is worth seeing this movie as he always played such the great villain. No music keeps your focus on the image and dialogue throughout the movie. Camera work looks pretty awesome especially when they start doing the manhunt. This movie clocks in at almost two hours so there will be a lot of pacing and dialogue to go through. It will feel a bit dragging when Lorre isn't on the screen but it is well worth going through the film to see how it all plays out.
So you say you want to enroll in film school? Don't bother. Just watch Fritz Lang's M and Metropolis.
Random person: Nobody knows him (The murderer). Woman who lives with the murderer: Am I a joke to you?
Stone cold classic. Certainly one of the best time films about orange peels being littered.
**One of the masterpieces of classic German cinema.** There isn't much that can be said about this film that almost everyone hasn't already said or written. It is one of the great films of German cinema, one of the best productions that were made before the Second World War and one of the best films in the career of the renowned director Fritz Lang, who shortly afterward would leave Germany due to the rise of Nazism, refusing to deal with that political regime. The film is inspired by real events, namely the murderous path of Peter Kürten, the “Vampire of Düsseldorf”, who terrorized people at the same time and also had young teenagers as his victims. The film manages to capture very well the feeling of fear that existed among the people of the city and the attempts that the police made to find this merciless killer. The cinematography, in black and white, still shows signs of the influence of German expressionism without, however, giving up the realism that the entire film demanded. In fact, I can't say whether the film was inspired by “noir” or came to inspire “noir” later, but I could see the aesthetic and style similarities. Peter Lorre is the only actor who stands out: he brought the main role to life and shines without almost having to say anything. It's an excellent work by the actor and has undoubtedly opened many doors for him.
A recently widowed detective still grieving over his wife's death discovers a shocking connection between himself and the suspects in a serial killing spree linked to the Four Horsemen of the Apocalypse.
Giancarlo "Eddie" Marturano, a down and out gambler trapped in the world he's created for himself. Like his adopted home of Atlantic City, Eddie is beaten, down on one knee, struggling mightily to rise to his feet again. His only salvation is his beloved Sandra and their hope of a better future. When he and his partner in crime, Christian Flynn, stumble onto the deal of their lives, will it finally be their avenue out of town?
Tae-su, a detective fighting organized crime, returns to his hometown for his high school friend Wang-jae's funeral. There, he meets his old friends Pil-ho, Dong-hwan and Seok-hwan and they reminisce. Suspecting something fishy about Wang-jae's death, Tae-su and Seok-hwan start investigating it, each in his own way. Their investigations lead to a land development project that Pil-ho is directing.
An unhappy middle-aged banker agrees to a procedure that will fake his death and give him a completely new look and identity; one that comes with its own price.
Alex is going through a midlife crisis and it has become a very difficult time for him. His marriage is struggling, he's worried about his son, and his job of killing people for his family has become the most stressful part of his life. He seeks the help of a therapist and meets a woman in the waiting room that he connects with.
Police Chief Jim Fitzpatrick is after gangster Sam Belmonte. He uses his own corrupt brother Ed to watch over Daisy who was associated with Belmonte.
Black police officer Russell Stevens applies for a special anti-drug squad which targets the highest boss of cocaine delivery to LA—the Colombian foreign minister's nephew. Russell works his way up from the bottom undercover, until he reaches the boss.
Carroll McKane's DVcams have recorded the deaths of his 36 past victims. His killing room, a makeshift studio, is the set for the murders of two more victims and the torture of a forensic psychiatrist, destined to be his biographer and the killer of his final victim... number 39.
When Guptan, a college lecturer, gets killed, the police suspect Gabriel to be the murderer. A girl takes help from her brothers, who are famous lawyers, in proving his innocence.
Sensationalized in the media as a high profile catfishing case involving an NBA superstar and an aspiring model, Shelly Chartier was portrayed as a master manipulator who used social media as her weapon. Through the sensitive and intelligent lens of Indigenous directors Lisa Jackson and Shane Belcourt, the sensationalism is swept aside to reveal something much more compelling and complex - the story of a young woman caught in historical circumstances beyond her control and how she struggles to rebuild her life after incarceration.