Cabrini 2024 - Movies (Oct 2nd)
The Outrun 2024 - Movies (Jan 20th)
Love Over Money 2024 - Movies (Jan 20th)
Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Jan 19th)
Surrounded by Spirits 2024 - Movies (Jan 19th)
A Nanny to Die For 2024 - Movies (Jan 19th)
Witness Underground 2024 - Movies (Jan 19th)
Laugh Proud 2024 - Movies (Jan 19th)
Admissions Granted 2024 - Movies (Jan 19th)
AI and the Future of Us An Oprah Winfrey Special 2024 - Movies (Jan 19th)
Australia The Wild Continent 2024 - Movies (Jan 19th)
My Argentine Heart 2025 - Movies (Jan 19th)
The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
The Magicians Raincoat 2024 - Movies (Jan 18th)
Vindication Swim 2024 - Movies (Jan 18th)
Every Little Thing 2024 - Movies (Jan 18th)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Hollywood Squares - (Jan 20th)
When Calls the Heart - (Jan 20th)
The Last Socialist Artefact - (Jan 20th)
The View - (Jan 20th)
Married to Medicine - (Jan 20th)
TMZ Live - (Jan 20th)
Countryfile - (Jan 20th)
LIVE with Kelly and Mark - (Jan 20th)
The Good Stuff with Mary Berg - (Jan 20th)
Sister Wives - (Jan 20th)
Vindication Swim 2024 - ()
Every Little Thing 2024 - ()
The Bad Shepherd 2024 - ()
The Bouncer 2024 - ()
Unfortunately this is rather a dry look back at the life of this visionary and entrepreneurial lady. It certainly offers a feast of archive film, VT and photography but for the most part, the narrative is relayed in a slightly adulatory fashion by her co-workers, and with the exception of her godson Jasper Conran, the majority of the contributors will have little traction with any but the most closely involved in the industry amongst the audience. The chronology itself is interesting enough, depicting well the whole vibe of London in the 1960s: the "scene"; the music, the first real throes of post war liberation, the commencement of the process for real gender equality, and the soundtrack is used sparingly to illustrate that. Sadly, though, and perhaps because so many of her contemporaries are no longer alive, there is just something remarkably static about this. You are shown images time and time again in a quickly framed, wham-bam sort of fashion, but somehow it doesn't resonate, or stick - it's like looking through some old editions of "Vogue" - there is little sense of the character or the personality of either her, or her larger than life husband. It's just all too one-dimensional to captivate - and for me, anyway, it just didn't.