Double Trouble

September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.

After regaining consciousness on DeathHead Island, The Gore Collector, Tape Head and the now fully-assembled Molly board a ramshackle raft made with wood taken from the actual crucifixion of Christ, and start their trek across the Blood Sea. But first, the creepy crew encounter the inhabitants of the island: a tribe of of drooling albino vampires! As the Red Gortex sucks our heroes into its crimson depths, Molly pops in yet another terrifying tape and insists The Gore Collector lock his eyes on the screen...

FULL MOON'S BUNKER OF BLOOD opens its rusty doors once more for this fifth and freakiest installment in the series. And when we say freakiest...we mean it. PSYCHO SIDESHOW: DEMON FREAKS takes you deep into a three-ring circus of shock, blasting out a caustic cauldron of clips from such classic Full Moon favorites as LURKING FEAR, DARK ANGEL, SEED PEOPLE, SHRIEKER, THE DEAD HATE THE LIVING and - of course - CASTLE FREAK and frames them with an all new animated narrative. This time, "The Gore Collector" winds his way into a terrifying amusement park from Hell known as the "Karnage Kingdom". And while the crazed carnival coats our characters in bloody horror, our tour guide "Molly" seems to have a method to the madness. What lies beyond this nightmarish wonderland? Tune in to find out.

Twin brothers are serving in the French army during the Great War. Jacques, a private, leads his brother's company to attack when Honoré, a lieutenant, panics and flees. Jacques, dressed in Honoré's coat, wins a vital victory, but he is mistaken for Honoré and decorated for gallantry in his brother's name. Jacques assumes Honoré's identity and goes to Paris where he meets Honoré. Honoré, after a serious disagreement, plots to have Jacques murdered but is himself killed by mistake. Jacques finds happiness with Moira, Honoré's wife from a loveless war marriage of convenience. 'Honor First' was the first film Adorée and John Gilbert made together.

A TV adaptation of the story “Twins” by Prezihov Voranc.

Eleven sexy music videos you could never see on television complete and uncensored for the first time.

Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.

In the 1940s in the small town of Jupiter Hollow, two sets of identical twins are born in the same hospital on the same night. One set to a poor local family and the other to a rich family just passing through. The dizzy nurse on duty accidentally mixes the twins unbeknown to the parents. Our story flashes forward to the 1980s where the mismatched sets of twins are about to cross paths.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.