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Javier Bardem is really amusing in this comedy drama. He ("Blanco") owns a company that manufactures scales, and is very excited to learn that they are up for a local civic award (he even has a space on his wall at home for the trophy!). Unfortunately for him, his best pal at work is his operations manager "Miralles" (Manolo Solo) who is having some marital difficulties causing him to screw up just about every order leaving their plant. To make matters worse, one of his disgruntled former employees "Jose" (Óscar de la Fuente) is conducting a one-man crusade outside the entrance on a piece of waste ground. Finally, well he has a bit of a wandering eye - and intern "Liliana" (Almudena Amor) is the latest object of his affections. The challenge for "Blanco" is - can he keep it all afloat long enough to win his cherished cup? It's not exactly laugh our loud, but the evolving nature of the scenarios as they gradually intertwine makes for a thoroughly enjoyable watch. A strong supporting cast help the star to deliver a punchy, sarcastically witty and wryly written observation of just how so many family business are probably run - a sort of benign megalomania. There are one or two threads that don't work quite so well, particularly towards the end - and it is perhaps 15 minutes too long, but for the most part this is an entertaining outing for a star and a director very much on form.
The perfect amusement for a break from heavy movies.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.
Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
Prodded by the rebellious Brisa, puberty is awakening in twelve-year-old Celia. Quickly, the two become allies against the rigid rules of authority in the Catholic girls’ school. However, questions about the right bra, cool bands and sexy clothing cannot hide the urgent search for their own identity.
Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
Set in a small English town in 1959, a woman decides, against polite but ruthless local opposition, to open a bookshop, a decision which becomes a political minefield.
El Bola is a 12-year-old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy at school changes his attitude towards his classmates and friendship. The heart of the story is the change in El Bola's life, at almost all levels, after befriending this new classmate.
The story of two men on different sides of a prison riot - the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
